"winter morning". Analysis of Pushkin’s poem “Winter Morning” (1)

Poem " Winter morning” A.S. Pushkin was written by him during one of the most fruitful creative periods - during his exile in Mikhailovskoye. But on the day when this poetic work was born, the poet was not on his estate - he was visiting friends, the Wulf family, in the Tver province. When starting to read the poem “Winter Morning” by Pushkin, it is worth remembering that it was written in one day, and not a single edit was made to the text. One can only marvel at the talent of the creator, who was able to so quickly embody his own mood, the beauty of Russian nature, and reflections on life in magnificent landscape lyrics. This work is rightfully one of the most famous in Pushkin’s work.

In the poem “Winter Morning” several important topics. The main and most obvious is the theme of love. In each line one can feel the poet’s tenderness addressed to his beloved, one can feel his reverent attitude towards her, the inspiration that gives him the feeling. His beloved is a lovely child of nature, and this is sweet to him and causes deep heartfelt emotions. Another topic is reflections on the birth of a new day, which erases all previous sorrows and makes the world more beautiful and more fun. Despite the fact that the evening was sad, today the sun illuminates everything around, and its light gives the most important thing - hope. In addition, Alexander Sergeevich uses the landscape not just as artistic technique to personify his own thoughts and not only as a symbol of a new beginning - the beautiful Russian nature is also the theme of his poem, which can be downloaded to slowly enjoy each line. And finally, the general idea of ​​the entire work is the unity of man and nature in the general philosophical sense.

The general mood that can be felt in the text of Pushkin’s poem “Winter Morning,” which can be read online for free to feel the joy of life, is optimistic, because it tells that any storm is not eternal, and after it, when a bright streak comes, life is still more wonderful. Even the stanzas that talk about evening sadness seem to be full of joyful anticipation of the morning. And when it comes, the joy becomes complete, because everything around, every snowflake, is illuminated winter sun, so beautiful! This is a cheerful and cheerful work - it seems that the poet forgot both about exile and loneliness, admiring his sleeping beloved and native nature. Reading this poem fills the soul positive emotions, reminds us of how beautiful the world is and how important it is to love our native nature.

Frost and sun; wonderful day!
You are still dozing, dear friend -
It's time, beauty, wake up:
Open your closed eyes
Towards northern Aurora,
Be the star of the north!

In the evening, do you remember, the blizzard was angry,
There was darkness in the cloudy sky;
Moon like pale spot,
Through the dark clouds it turned yellow,
And you sat sad -
And now... look out the window:

Under blue skies
Magnificent carpets,
Glistening in the sun, the snow lies;
The transparent forest alone turns black,
And the spruce turns green through the frost,
And the river glitters under the ice.

The whole room has an amber shine
Illuminated. Cheerful crackling
The flooded stove crackles.
It's nice to think by the bed.
But you know: shouldn’t I tell you to get into the sleigh?
Ban the brown filly?

Sliding on the morning snow,
Dear friend, let's indulge in running
impatient horse
And we'll visit the empty fields,
The forests, recently so dense,
And the shore, dear to me.

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Reading the first stanza:

Frost and sun; wonderful day!
You are still dozing, dear friend -
It's time, beauty, wake up:
Open your closed eyes
Towards northern Aurora,
Be the star of the north!

Let's pay attention to lines 4-6. They contain not only "dark" words, although their obscurity may not be noticed, but also two now outdated archaic facts of grammar. Firstly, aren’t we surprised by the phrase “open your eyes”? After all, now you can only cast your gaze, direct your gaze, lower your gaze, but not open it. Here the noun gazes has the old meaning of “eyes.” The word gaze with this meaning is found in artistic speech first half of the 19th century centuries constantly. The participle “closed” is of unconditional interest here. Short Communion, as you know, is always a predicate in a sentence. But then, where is the subject to which it refers? In meaning, the word closed clearly gravitates towards the noun gazes, but it is (open what?) an undoubted direct object. This means “closed” is the definition of the word “gaze”.

But why then are they closed and not closed? Before us is the so-called truncated participle, which, like the truncated adjective, was one of the favorite poetic liberties of poets of the 18th - first half of the 19th centuries.

Now let's touch on one more word in this line. This is the noun "bliss". It is also not without interest. In S.I. Ozhegov’s dictionary it is interpreted: “Nega - i.zh. (obsolete) 1. Complete contentment. Live in bliss. 2. Bliss, a pleasant state. Indulge in bliss."

“The Dictionary of Pushkin’s Language” notes along with this the following meanings: “State of serene peace” and “sensual intoxication, pleasure.” The word bliss does not correspond to the listed meanings in the poem in question. In modern Russian it is in in this case It is best translated by the word sleep, since sleep is the most complete “state of tranquil rest.”

Let's go down a line below. Here, too, linguistic facts await us that require clarification. There are two of them. Firstly, this is the word Aurora. As a proper name, it begins with a capital letter, but in terms of its meaning it acts here as a common noun: the Latin name of the goddess of the dawn describes herself morning dawn. Secondly, its grammatical form. After all, now after the preposition one should meet dative noun and by modern rules should be “Towards Northern Aurora.” And the genitive case is Aurora. This is not a typo or an error, but a now obsolete archaic form. Previously, the preposition towards required after itself a noun in the form genitive case. For Pushkin and his contemporaries this was the norm.

Let's say a few words about the phrase “Appear as a star of the north.” The word star (of the north) here means the most worthy woman in St. Petersburg, and is not used in direct meaning- heavenly body.

Second stanza

In the evening, do you remember, the blizzard was angry,
There was darkness in the cloudy sky;
The moon is like a pale spot
Through the dark clouds it turned yellow,
And you sat sad -
And now... look out the window:

Here we will pay attention to the words evening and darkness. We know that the word vecher means yesterday evening. In common usage, the word haze now means darkness, gloom. The poet uses this word to mean “thick snow, hiding everything around in the fog, like a kind of curtain.”

Third stanza

Under blue skies
Magnificent carpets,
Glistening in the sun, the snow lies;
The transparent forest alone turns black,
And the spruce turns green through the frost,
And the river glitters under the ice.

The third stanza of the poem is distinguished by its linguistic transparency. There is nothing out-of-date about it, and it does not need any explanation.

4th and 5th stanzas

The whole room has an amber shine
Illuminated. Cheerful crackling
The flooded stove crackles.
It's nice to think by the bed.
But you know: shouldn’t I tell you to get into the sleigh?
Ban the brown filly?

Sliding on the morning snow,
Dear friend, let's indulge in running
impatient horse
And we'll visit the empty fields,
The forests, recently so dense,
And the shore, dear to me.

There are linguistic “peculiarities” here. Here the poet says: “It’s nice to think by the couch.”

Analysis of incomprehensible words and expressions

Here the poet says: “It’s nice to think by the couch.” Do you understand this proposal? It turns out not. The word bed is bothering us here. A lounger is a low (at the level of a modern bed) ledge near a Russian stove, on which, while warming up, they rested or slept.

At the very end of this stanza, the word ban sounds strange and unusual instead of the normative, correct modern harness from the verb harness. At the time, both forms existed on equal terms, and, undoubtedly, the form “to ban” appeared here in Pushkin for rhyming as a fact of poetic license, which was determined by the word stove that stood above.

“Winter Morning” Alexander Pushkin

Frost and sun; wonderful day!
You are still dozing, dear friend -
It's time, beauty, wake up:
Open your closed eyes
Towards northern Aurora,
Be the star of the north!

In the evening, do you remember, the blizzard was angry,
There was darkness in the cloudy sky;
The moon is like a pale spot
Through the dark clouds it turned yellow,
And you sat sad -
And now... look out the window:

Under blue skies
Magnificent carpets,
Glistening in the sun, the snow lies;
The transparent forest alone turns black,
And the spruce turns green through the frost,
And the river glitters under the ice.

The whole room has an amber shine
Illuminated. Cheerful crackling
The flooded stove crackles.
It's nice to think by the bed.
But you know: shouldn’t I tell you to get into the sleigh?
Ban the brown filly?

Sliding on the morning snow,
Dear friend, let's indulge in running
impatient horse
And we'll visit the empty fields,
The forests, recently so dense,
And the shore, dear to me.

Analysis of Pushkin's poem "Winter Morning"

Lyrical works occupy a very significant place in the work of Alexander Pushkin. The poet has repeatedly admitted that he is in awe not only of the traditions, myths and legends of his people, but also never ceases to admire the beauty of Russian nature, bright, colorful and full of mysterious magic. He made many attempts to capture a wide variety of moments, masterfully creating images of an autumn forest or a summer meadow. However, the poem “Winter Morning”, created in 1829, is rightfully considered one of the most successful, bright and joyful works of the poet.

From the very first lines, Alexander Pushkin puts the reader in a romantic mood, in a few simple and elegant phrases describing the beauty of winter nature, when the duet of frost and sun creates an unusually festive and optimistic mood. To enhance the effect, the poet builds his work on contrast, mentioning that just yesterday “the blizzard was angry” and “darkness rushed across the cloudy sky.” Perhaps each of us is very familiar with such metamorphoses, when in the midst of winter endless snowfalls are replaced by a sunny and clear morning filled with silence and inexplicable beauty.

On days like these, it’s simply a sin to sit at home, no matter how comfortably the fire crackles in the fireplace. And in every line of Pushkin’s “Winter Morning” there is a call to go for a walk, which promises a lot of unforgettable impressions. Especially if outside the window there are amazingly beautiful landscapes - a river glistening under the ice, forests and meadows dusted with snow, which resemble a snow-white blanket woven by someone’s skillful hand.

Every line of this poem is literally permeated with freshness and purity., as well as admiration and admiration for the beauty of his native land, which at any time of the year never ceases to amaze the poet. Moreover, Alexander Pushkin does not seek to hide his overwhelming feelings, as many of his fellow writers did in the 19th century. Therefore, in the poem “Winter Morning” there is no pretentiousness and restraint inherent in other authors, but at the same time, each line is imbued with warmth, grace and harmony. In addition, simple joys in the form of a sleigh ride give the poet true happiness and help him fully experience the greatness of Russian nature, changeable, luxurious and unpredictable.

The poem “Winter Morning” by Alexander Pushkin is rightfully considered one of the most beautiful and sublime works of the poet. It lacks the causticity so characteristic of the author, and there is no usual allegory, which makes you look for the hidden meaning in every line. These works are the embodiment of tenderness, light and beauty. Therefore, it is not surprising that it is written in light and melodic iambic tetrameter, to which Pushkin resorted quite often in those cases when he wanted to give his poems special sophistication and lightness. Even in the contrasting description of bad weather, which is intended to emphasize the freshness and brightness of a sunny winter morning, there is no usual thickening of colors: blizzard presented as a fleeting phenomenon that is unable to darken the expectations of a new day filled with majestic calm.

At the same time, the author himself never ceases to be amazed at such dramatic changes that occurred in just one night. It’s as if nature itself acted as the tamer of an insidious blizzard, forcing her to change her anger to mercy and, thereby, giving people an amazingly beautiful morning, filled with frosty freshness, the creaking of fluffy snow, ringing silence silent snowy plains and the charm of the sun's rays, shimmering with all the colors of the rainbow in frosty window patterns.

Poems by A.S. Pushkin about winter - excellent remedy to look at the snowy and cold weather with different eyes, to see in it the beautiful things that are hidden from us gray everyday life and dirty streets. It was not for nothing that they said that nature has no bad weather.

Painting by Viktor Grigorievich Tsyplakov “Frost and Sun”

WINTER MORNING

Frost and sun; wonderful day!
You are still dozing, dear friend -
It's time, beauty, wake up:
Open your closed eyes
Towards northern Aurora,
Be the star of the north!

In the evening, do you remember, the blizzard was angry,
There was darkness in the cloudy sky;
The moon is like a pale spot
Through the dark clouds it turned yellow,
And you sat sad -
And now... look out the window:

Under blue skies
Magnificent carpets,
Glistening in the sun, the snow lies;
The transparent forest alone turns black,
And the spruce turns green through the frost,
And the river glitters under the ice.

The whole room has an amber shine
Illuminated. Cheerful crackling
The flooded stove crackles.
It's nice to think by the bed.
But you know: shouldn’t I tell you to get into the sleigh?
Harness the brown filly?

Sliding on the morning snow,
Dear friend, let's indulge in running
impatient horse
And we'll visit the empty fields,
The forests, recently so dense,
And the shore, dear to me.

Painting by Alexey Savrasov "Courtyard. Winter"

WINTER EVENING

The storm covers the sky with darkness,
Whirling snow whirlwinds;
Then, like a beast, she will howl,
Then he will cry like a child,
Then on the dilapidated roof
Suddenly the straw will rustle,
The way a belated traveler
There will be a knock on our window.

Our dilapidated shack
And sad and dark.
What are you doing, my old lady?
Silent at the window?
Or howling storms
You, my friend, are tired,
Or dozing under the buzzing
Your spindle?

Let's have a drink, good friend
My poor youth
Let's drink from grief; where is the mug?
The heart will be more cheerful.
Sing me a song like a tit
She lived quietly across the sea;
Sing me a song like a maiden
I went to get water in the morning.

The storm covers the sky with darkness,
Whirling snow whirlwinds;
Then, like a beast, she will howl,
She will cry like a child.
Let's have a drink, good friend
My poor youth
Let's drink from grief: where is the mug?
The heart will be more cheerful.

Painting by Alexey Savrasov " Winter road"

Here is the north, the clouds are catching up...

Here is the north, the clouds are catching up,
He breathed, howled - and here she is
The winter sorceress is coming,
She came and fell apart; shreds
Hanged on the branches of oak trees,
Lay down in wavy carpets
Among the fields around the hills.
Brega with a still river
She leveled it with a plump veil;
The frost has flashed, and we are glad
To the pranks of Mother Winter.

Painting by Gustav Courbet "The Outskirts of a Village in Winter"

WINTER!... PEASANT TRIUMPHANT... (Excerpt from the poem "Eugene Onegin")

Winter!.. The peasant, triumphant,
On the firewood he renews the path;
His horse smells the snow,
Trotting along somehow;
Fluffy reins exploding,
The daring carriage flies;
The coachman sits on the beam
In a sheepskin coat and a red sash.
Here is a yard boy running,
Having planted a bug in the sled,
Transforming himself into a horse;
The naughty man has already frozen his finger:
He is both painful and funny,
And his mother threatens him through the window.

Painting by Isaac Brodsky "Winter"

WINTER ROAD

Through the wavy mists
The moon creeps in
To the sad meadows
She sheds a sad light.

On the winter, boring road
Three greyhounds are running,
Single bell
It rattles tiresomely.

Something sounds familiar
In the coachman's long songs:
That reckless revelry
That's heartbreak...

Painting by Nikolai Krymov " Winter evening"

IT WAS AUTUMN WEATHER THAT YEAR

That year the weather was autumn
She stood in the yard for a long time.
Winter was waiting, nature was waiting,
Snow only fell in January
On the third night. Waking up early
Tatiana saw in the window
In the morning the yard turned white,
Curtains, roofs and fences,
There are light patterns on the glass,
Trees in winter silver,
Forty merry ones in the yard
And softly carpeted mountains
Winter is a brilliant carpet.
Everything is bright, everything sparkles all around.

Poem by A.S. Pushkin "Winter Morning"

LET'S READ IT AGAIN

Irina RUDENKO,
Magnitogorsk

Poem by A.S. Pushkin "Winter Morning"

Frost and sun; wonderful day!
You are still dozing, dear friend!

These lines are familiar to us from primary school. And every time we reread a poem, we never cease to admire the poet’s skill. The author wants to convey a feeling of joy and boundless happiness to the reader.

The poem is full of emotional and evaluative definitions: “day wonderful", "Friend charming", "carpets magnificent", "Friend Cute", "shore Cute" "Life is Beautiful!" - as if the poet wants to say.

In the second stanza, the sound composition changes: the howling of the blizzard helps to hear the sonorant nasals [l] and [n] in combination with vowels. The emotional mood also changes: the “cloudy sky”, the “pale spot” of the moon, “gloomy clouds” cause the heroine’s sadness. Yesterday's gloomy and dreary evening is contrasted with today's joyful morning: “Evening... and today... look out the window...” With the last line of this stanza, the author returns the reader to the present time, into an atmosphere of happiness. But would we be able to appreciate all the beauty of the morning if there were no gloomy, sad evening?

The third stanza is a winter landscape. Russian winter is not rich in colors, but the picture created by the poet is rich in color: it is blue (“under blue skies”), and black (“the transparent forest alone turns black”), and green (“the spruce turns green through the frost”). Everything sparkles and shines outside the window; in the stanza the cognate words “brilliant” and “glitters” are repeated twice:

Under blue skies
Magnificent carpets,
Shining in the sun, there is snow;
The transparent forest alone turns black,
And the spruce turns green through the frost,
And the river under the ice glitters.

The third and fourth stanzas are connected with the word “brilliance”:

The whole room has an amber shine
Illuminated.

Only this shine is no longer cold, winter, but warm, golden brown, amber. In the third stanza no sounds are heard (probably because the hero of the poem is in the house and sees the winter landscape from the window), but in the fourth stanza we clearly hear the crackling sound of a flooded stove. The tautology “crackles” is artistically justified.

However, the third and fourth stanzas are not contrasted. I remember the lines of B. Pasternak, which appeared more than a hundred years after Pushkin's poem:

Chalk, chalk all over the earth
To all limits.
The candle was burning on the table,
The candle was burning.

Here we see that the ominous outside world is contrasted with the bright world of the house. In Pushkin’s poem, everything is equally beautiful: the magnificent picture outside the window, and the cozy home environment:

It's nice to think by the bed.
But you know, shouldn't I tell you to get on the sleigh?
Ban the brown filly?

Life is amazing because there is harmony in it. This idea is expressed already in the first line of the poem. The day is wonderful thanks to the harmonious coexistence of frost and solar warmth and light. A person cannot fully enjoy a joyful sunny morning if there has never been a gloomy, dreary evening in his life; cannot feel the freshness of a frosty day if he has never felt the warmth of a flooded stove, cannot experience the happiness of awakening if he has never been immersed in the bliss of sleep. The imperative verbs (“wake up”, “open”, “appear”, “look”) in the first and second stanzas encourage the reader to feel the fullness of life. Let us feel the harmony of life, and then the cloudy sky will certainly turn into blue skies, the flakes of snow, swirled by an angry blizzard, will become “magnificent carpets”, the lonely blackening “transparent forest” will again be dense, and the brown filly will transform into an “impatient horse”.

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