Classics never go out of date. For the photo market in the last couple of years, this statement is more relevant than ever: one after another, different manufacturers are releasing cameras with a retro style, with a classic design, with pseudo-mechanical controls... But until recently, such new products appeared mainly among compacts and mirrorless cameras. The first modern retro-DSLR was Nikon Df, introduced in November 2013. A large and solid camera with convenient manual controls and a design in the best traditions of Nikon DSLRs is not just a photographer’s tool, it is already an element of image. It was created specifically for those who are familiar with the legendary Nikon film DSLRs.
This particular model ended up in our test studio today. We will dedicate our big test to her in the “Week with an Expert” format. Every day we will publish new parts of this test, talking about shooting with this interesting camera. Stay in touch and stay tuned for updates!
Today I propose to take a closer look at this new product, understand its functions and characteristics. Let's start, as always, with the matrix. Nikon Df has something to be proud of here: it inherited its matrix from the flagship Nikon D4 DSLR. This is a 16-megapixel CMOS sensor with dimensions of 24x36 mm. Thus, Nikon Df is today one of the smallest megapixel modern full-frame cameras. But what may seem like a disadvantage to a novice photographer, an experienced photographer would rather see as an advantage: fewer pixels mean larger pixels, larger pixel size means higher image quality at high ISOs. Is this really so - we will check very soon!
The hero of our Df test borrowed the Expeed 3 processor from the Nikon D610, which was released a little earlier. He also inherited the autofocus system, consisting of 39 points, nine of which are cross-shaped. The Multi-CAM4800 autofocus sensor has a sensitivity down to -1EV.
The continuous shooting speed is stated at 5.5 fps. Moreover, the shutter mechanism is designed for 150,000 guaranteed operations. The minimum shutter speed required by the shutter is 1/4000 s. Synchronization speed with external flashes is 1/200 s.
It is noteworthy that Nikon Df became one of the first real cameras in recent years: it cannot shoot video. This is unlikely to be attributed to the miscalculations of marketers or the disadvantages of the camera. I am more than sure that people who buy such cameras either do not use the video recording function at all, or use other devices for this.
We've almost figured out the contents of the camera, let's move on to the body. Most of the body is made of lightweight and durable magnesium alloy. Sensitive electronics are protected from weather and dust by seals installed at the joints of parts, as well as under buttons and other controls.
The Nikon Df also has a couple of interesting features that make this DSLR a true modern classic. It is compatible with retro accessories. For example, you can use a real mechanical cable release instead of an electronic one. There is a corresponding connector in the shutter button. But that's not all: Nikon Df is compatible with all optics equipped with an F mount, including non-Ai lenses produced before 1977. To work with such optics, the camera bayonet is equipped with a folding tab for connecting to the lens aperture. Well, we will have the opportunity to check the work with old optics during our test!
Needless to say, the Nikon Df viewfinder is excellent for manual focusing? In size it is inferior only to some heroes of the last century such as Nikon F3. Among modern cameras, cameras such as the Nikon D4 or Nikon D800 can boast a similarly sized viewfinder with a magnification of x0.7 and 100% coverage of the frame area. Naturally, there is a real pentaprism inside the viewfinder, and not a pentamirror as in cheaper models.
Despite the seemingly small battery (the Nikon Df uses an EN-EL14a battery with a capacity of 1230 mAh), the camera is capable of taking up to 1400 frames on a single charge - a lot even by modern standards!
A special camera needs a special lens: apparently, this is the thinking at Nikon. Nikon Df will be sold with a special version of the AF-S NIKKOR 50mm f/1.8 lens, made in retro style. It was in this configuration that the camera came to us for testing.
Stay in touch. Very soon we will publish the second part of the test, entirely devoted to a description of the controls of this unusual camera.
Nikon Df is a very unusual camera. It's not a matter of appearance, because retro-style cameras are now very common. True, Nikon still did not have such a camera, although some emphasis on this topic already found in the company's compacts.
But Nikon Df can be called the first neoclassical full-frame camera. In addition, the camera does not have the ability to shoot video, although LiveView mode is still provided. As we have already said, the Df is equipped with a surprisingly small battery, the range of exposure compensation adjustments is very modest, and the minimum shutter speed is limited to 1/4000 of a second, while almost all full-frame cameras (the only exception here is the unique full-frame compact Sony DSC-RX1) allow shoot with shutter speeds up to 1/8000 of a second, which is very useful when shooting on a sunny afternoon with fast lenses at the maximum open aperture. On the other hand, the sensitivity level is limited to the same level as the top-end D4 - 204,800 units in ISO equivalent, and, in fact, the matrix is the same as that of the older camera.
⇡ Technical characteristics declared by the manufacturer
| Nikon Df | |
|---|---|
| Image sensor | 36.0x23.9mm CMOS sensor (Nikon FX format) Total pixels: 16.6 MP |
| Effective number of points, MP | 16,2 |
| Image saving format | NEF (RAW): 12-bit or 14-bit (lossless compressed, compressed or uncompressed), JPEG |
| Lens mount | Nikon F mount (with AF interface and AF contacts) |
| Frame size in pixels | 4928x3280(L), 3696x2456(M), 2464x1640(S) |
| Sensitivity, units in ISO equivalent | From 50 to 204,800 |
| Shutter speed range, s | 1/4000 to 4, bulb, long exposure |
| Exposure metering | Matrix, center-weighted, spot |
| Exposure compensation | -3 to +3 EV in 1/3 EV steps |
| Built-in flash | No |
| Self-timer, s | 2, 5, 10, 20 |
| Storage device | SD (Secure Digital) and UHS-I compatible with SDHC and SDXC memory cards |
| LCD display | 8.0 cm (3.2 inches), 921k dots resolution |
| Interfaces | HDMI, USB 2.0, remote control connector remote control |
| Nutrition | Li-ion battery EN-EL14a, 8.9 Wh |
| Dimensions (WxHxD), mm | 143.5x110x66.5 |
| Weight, g | 765 with battery and memory card, but without protective cover; 710 camera body only |
⇡ Delivery set
There is only one delivery option - a silver camera with black rubberized pads, complemented by an AF-S NIKKOR 50mm ƒ/1.8 lens. The kit also includes a battery, Charger, USB cable, shoulder strap, hot shoe, eyepiece and bayonet covers, and a disk with additional software and a user manual.
⇡ Appearance and ease of use
The design motifs for the exterior of the camera are entirely borrowed from old Nikon film cameras. Nikon Df is so similar to a rare example from flea markets and photographic equipment auctions that inexperienced photography enthusiasts may well mistake the owner for a retrograde. Sophisticated photographers often ask to show the camera in more detail. In general, opinions and assessments are different, but the camera definitely attracts attention.
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Like all full-frame cameras produced by Nikon, the Df model is assembled at the company's Japanese plant. Of course, we can’t say that this somehow affects the build quality, but it’s still nice. By the way, the build quality is really very high - there’s nothing to complain about. The only disappointment is the rubber pads - I really wanted the camera to be covered with leather. Although rubber has its advantages, because thanks to it the camera slips less in your hands. The camera really doesn't fit very comfortably in the hand, but not because of the material of the pads, but because of the catastrophically small handle. And if with a complete “fifty kopeck” a small handle is not a problem, then with a large “telephoto” it is very difficult to work with the camera, especially if you take into account the control features, which we will touch on a little lower.
On the front there is a bayonet mount, a pair of keys (Fn and Pv), a sync port hidden by a screw-in plug, a red LED indicator for the automatic shutter timer, and a front control dial. Unlike other advanced DSLRs equipped with two disks, the Nikon Df has a front disk located not horizontally, but vertically. Nikon used something similar not long ago in the advanced compact P7100, but a year later in the P7700 model a similar disk was replaced by a more familiar and convenient one. So, the front control dial is hard, and it is also very difficult to place your finger on it comfortably. With a light lens, of course, everything goes well, but with a heavy one, rotating the disk turns into hard labor. Separately, it is worth noting the absence of an IR receiver, so for wireless control you will have to use additional options. For example, a WR-R10 remote control controller and a WR-T10 remote control, or a Wi-Fi adapter and a smartphone.
From the rear most The screen occupies the surface. Above it are the viewfinder, as well as keys for switching to view and delete modes. To the left of the display are five multifunction buttons, and to the right are the autoexposure and autofocus lock keys and the rear control dial. Just below there is a three-position lever for selecting the metering mode, an 8-position round multifunction key with a lever for locking the selection of the focus point, as well as keys for switching to LiveView mode and displaying information on the screen.
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The right side surface is empty, and on the left there are three rubber doors that hide the connectors for connecting a wired remote control, as well as HDMI and USB cables. In addition, there is a bracketing key and a button responsible for selecting a zone and changing the autofocus operating mode, supplemented by a focus mode selection lever (manual/automatic).
When viewed from above, the Nikon Df is very reminiscent of classic film cameras, both in terms of visual design and in terms of control principles. To the left of the “hot shoe” there is a “double-deck” dial for selecting the sensitivity level in steps of a third of a stop and introducing exposure compensation in the same step, but in a fairly fast range of -3...+3 EV. Both dials are equipped with a micro-lock button, but the dial for introducing exposure compensation in the Df, unlike the advanced compacts of the P7000 series, is not equipped with an indicator to remind you of the introduced correction. To the right of the “hot shoe” there is a dial for changing the shutter speed, supplemented by a lever for selecting the drive mode, a power button with a cable connector, a tiny segment screen, next to which the backlight activation key is nestled, and a dial for selecting the exposure pair setting mode, which must be lifted to shift. Well, how can you not remember the old film camera? After all, even the principles of management send us back to the past. It is worth noting that the design responsible for turning on the power does not have a lever as such - it is just a ring, so if your finger is wet, it can simply slip. In general, not very convenient.
At the bottom there is a tripod mount connector and a compartment cover for the battery and... memory card. Of course, when installed on a tripod, it will not always be possible to get a memory card. Such a solution is incredibly rare for a DSLR; it is found only in the most affordable Canon cameras (models 1100D/100D). Moreover, the Nikon Df has only one memory card slot, and it is not XQD, as in the case of the top full-frame Nikon, but a regular SD, fortunately with support for UHS-I cards.
We waited a long time for the Nikon DF DSLR to be tested: there was an impressive line of people wanting to test this curious camera in action. Despite the fact that the new product was announced in the spring of 2014, and today it’s already Golden autumn, it did not become any less interesting, and, having waited our turn, we happily got down to business. It's a warm Indian summer outside before a long frosty winter - it's time to take bright autumn shots.
Old film cameras, for example, Nikon F4, have recently become very popular among creative youth. Today, like 20 and 30 years ago, stylish retro design is valued, Nikon DF will appeal to hipsters! It has again become fashionable to take photographs, completely concentrating on shooting - thoughtfully, saving every frame, carefully monitoring focus and exposure parameters: after all, we have only 36 frames and no screen. Nikon DF- a good choice for those who have already acquired a film camera, appreciate strict design, but at the same time love Instagram and Photoshop :-)
What makes Nikon DF unique? This is a full frame DSLR digital camera, made in the vintage design of classic Nikon F film DSLRs, having the most modern technologies inside, first of all, a full-frame 16.2 MP CMOS matrix, exactly the same as in the professional top model Nikon D4, a powerful image processing processor, fast accurate autofocus and ample options for customizing shooting parameters.
“Vintage” generally refers to a design that replicates a style that was in fashion about 30 years ago; this term originates from winemaking - this is how aging of good wine used to be called. Drawing a parallel with photography, design Nikon camera DF can be safely called vintage, because it evokes nostalgia even among those who have never shot on film. You either really like the Nikon DF design at first glance, or you don’t like it at all, there are no indifferent people here. You want to lovingly wipe this camera with a soft cloth and hide it in the same stylish, reliable leather case. By the way, there is such a case, and it’s called CF-DC6.
Nikon DF cannot shoot video, it is in the full sense of the word a camera, so the photographer will focus his attention on the main thing. There is nothing superfluous here: no automatic modes like “super-creative auto plus”, no processing with frames with balls, no Wi-Fi with tablets and smartphones, no graphic design menu with Internet access... But there is a reliable magnesium case with protection against dust and moisture, 14-bit RAW, a powerful EXPEED 3 processing processor, a top-end full-frame sensor with the ability to shoot at high ISOs up to 204800, a beautiful AF-S Nikkor 50mm 1:1.8 G prime lens included and an extremely elegant original design. Not a camera - a dream! It's time to put Nikon DF to the test. So, let's begin!
Video presentation of Nikon DF - our program “Photo Fire!”
The video briefly examines the ergonomics of the Nikon DF camera, provides examples of shooting portraits, landscapes, as well as an example of Time Lapse stitching. The video was filmed by the authors themselves and is a supplement to this article.
We also invite you to subscribe to our channel “Photo Fire!” on YouTube to always be aware of all updates.
Comparison of the main characteristics of Nikon full-frame DSLRs
| Matrix | 16.2 MP CMOS type | 24.3 MP CMOS type | 24.3 MP CMOS type | 36.3 MP CMOS type | 16.2 MP CMOS type |
|---|---|---|---|---|---|
| CPU | EXPEED 3 | EXPEED 3 | EXPEED 4 | EXPEED 4 | EXPEED 4 |
| Autofocus | Nikon Multi-CAM 4800 39-point AF system | 51-point AF system | Multi-CAM 3500FX 51-point AF system | ||
| Shooting speed | 5.5 fps | 6 fps | 6.5 fps | 5 fps | 11 fps |
| ISO | 50 - 204800 | 50 - 25600 | 50 - 51200 | 32 - 51200 | 50-409600 |
| Video | - | 1920 x 1080; 30p, 25p, 24p. 1280 x 720; 60p, 50p, 30p, 25p. | 1920 x 1080; 60p, 50p, 30p, 25p, 24p; 1280 x 720; 60p, 50p | 1920 x 1080; 60p, 50p, 30p, 25p, 24p, 1280 x 720p; 60p, 50p. | 1920 x 1080; 60p, 50p, 30p, 25p, 24p; 1920 x 1080 (crop); 30p, 25p, 24p; 1280 x 720; 60p, 50p |
| Flash | - | YES | YES | YES | - |
| WiFi | - | - | YES | - | - |
| GPS | - | - | - | - | - |
| Battery | EN-EL14a / 1230 mAh | EN-EL15 / 1900 mAh | EN-EL15 / 1900 mAh | EN-EL15 / 1900 mAh | EN-EL18a / 2500 mAh |
| Dimensions/weight | 143.5 x 110 x 66.5 mm / 765 g | 141 x 113 x 82 mm / 850 g | 140.5 x 113 x 78 mm / 840 g | 146 x 123 x 81.5 mm / 980 g | 160 x 156.5 x 90.5 mm / 1350 g |
| Price (body) according to YaM data as of 10.2014. | 104,000 rub. | 65,000 rub. | 85,000 rub. | 130,000 rub. | 250,000 rub. |
Testing methodology
All photos in this review were taken with a Nikon DF camera (firmware 1.01) and an AF-S Nikkor 50mm 1:1.8 G lens, evening portraits were taken with a Nikon SB-800 flash, SDHC UHS-I Transcend SDHC 32GB 300x Class 10 memory card. All Photos were taken in RAW format (14 bit, normal compression), unless otherwise noted, developed in Adobe Lightroom 5.6. The photographs are presented without artistic processing, as they were taken on camera; the necessary retouching was carried out for portraits. The photos where the device itself is in the frame were mostly taken with a Canon 5D Mark II.
Ergonomics Nikon DF
What I liked
1. Control using wheels on the top of the body. This control was done intentionally by Nikon engineers and is designed to remind us of the good old film days. Indeed, all the basic shooting settings must be made by turning various wheels, even turning the camera on and off by turning the wheel. You have to get used to this style of control, it takes about one shooting day, but then you start to enjoy communicating with the DF - everything is visual, clear and understandable: what mode is being filmed in, what sensitivity is currently set, etc. - just glance at the top of the camera. We noticed that during the actual shooting we never looked at the menu, and it really felt like we were shooting with an old film SLR, in which, of course, there is no menu.
The wheels rotate with a comfortable effort, do not accidentally get knocked off, and two wheels on the left and one on the right are, in addition, securely fixed with small stop buttons: to change the sensitivity, you need to press and hold the small button near the wheel, the exposure compensation and shutter speed selection wheels are fixed with buttons in the center. You can feel in everything that the engineers experimented for more than one month, twisting and turning the prototypes in every way, and finally produced an impeccable result of their work. Bravo, Nikon!
The downside of having a shutter speed dial is that there are not enough shutter speeds :-) “Where do you need more shutter speeds?” you ask. Let's give an example: when shooting a panorama, we usually measure the exposure of the central frame in aperture priority mode, after which we switch to manual mode and set the exposure values we just found, then turn off autofocus and go shoot overlapping frames. Suppose the camera came up with a shutter speed of 1/80, but there is no such value on the wheel, what should I do? It is for such cases that a special value of 1/3 STEP is provided, by setting which you can use the main control wheel (the one near the thumb) to adjust 1/80 and all other shutter speeds to suit every taste, as in all modern DSLRs.
2. Autofocus lock button. Small round button AF-ON is located under the thumb of the right hand and duplicates half-pressing the shutter button. Of course, half-pressing the shutter button also works, but shooting with two fingers turned out to be mega-convenient. Pressing with the thumb - beep - pressing with the index finger on the trigger immediately to the end - click. They say this is the shooting style of reportage photographers; one way or another, it’s really cool to work this way.
But the autofocus operating modes are switched cunningly, it’s quite difficult to achieve this using the “scientific poking” method, everything is too intricately invented. Let's reveal the secret :-) First of all, you need to find the switch from manual focus to autofocus ( AF-M), it is located at the bottom left near the lens (see photo below). Inside this switch there is a button that you don’t even perceive as a button, rather as a design element. So, this is a button, you need to press it and start turning the control wheels: the front one changes the number of autofocus points, and most importantly (the one under the right thumb) - the autofocus operating mode AF-C or AF-S. If we monitor all this in the viewfinder, the screen will immediately turn on, as if we had pressed the INFO button. Unusual, original, but once you figure it out once, it’s extremely convenient!
3. Only PASM, nothing more. And it would be cooler ASM: A for every day, S for working with movement, M for studio and creativity. Beauty! The mode switch is small, and there is no need for a larger one: it lifts the top slightly and turns, after which it locks down.
4. Bright large display and convenient menu. There is nothing to add about the display - it’s cool, the brightness can be adjusted according to the situation, it doesn’t lie about colors: what we see on the screen is approximately what we get. But the menu in the Nikon DF camera at first glance is quite complex and confusing, but only at first: everyone who shot on Nikon cameras will find the desired option instantly and without problems. Everyone else will have to figure out where each function is located; it will only take one evening. By the way, the menu is extremely detailed; almost any camera parameter can be adjusted to your taste. For example, the self-timer is activated by a lever on the top edge, and the duration of the timer is indicated in the menu; two additional buttons (which are near the lens) can be assigned a huge list of functions, and there are many, many such examples.
5. Comfortable, secure grip. There are comments from colleagues online that, they say, the grip is uncomfortable, the protrusion for the right hand is insufficient, the device is about to fall out of your hands... We state briefly and unambiguously: fuck it! The camera fits perfectly in both men's and women's hands, without causing any inconvenience. Still, a time-tested classic remains a classic: take the camera out of the bag, remove the lens cap, turn the power lever, and start shooting. And we don’t think about grips, about how to take the camera this way or that way... We take it and shoot.
6. Bottom of the camera. As a rule, all users first of all pay attention to the top edge, where the controls are concentrated, then to the back, where the screen is, less often - to the front, where the lens and usually only a couple of buttons are, even less often to the sides of the camera, where they are traditionally located various interface connectors.
And we would like to especially note the lower edge of the Nikon DF. Firstly, there is a very stylish lock that opens the battery compartment door: it exactly copies similar locks on film DSLRs; The lock is elegantly pryed off with a fingernail and turns, securely and firmly fixing the lid (but when open, the lid fell out a couple of times; its hinges are much inferior in reliability to the lock). Secondly, a rubberized platform for the heel of a tripod: it also seems like a small thing, but the camera is firmly fixed, does not fidget, does not get scratched by the heel, it is so convenient and comfortable that it is not clear why this is not done in other cameras, is it really a patent? -or?
7. Shooting handheld at high ISO. Almost all ISO values are working, that is, you can safely raise the sensitivity in low light conditions and shoot with confidence. The extended value of 204800 ISO is perhaps too much: noise at such a sensitivity makes it difficult to examine the photo. But values in the range of 6400 - 12800 are quite workable, which is confirmed by our test. The noise pattern at 12800 even somewhat resembles film grain; it does not interfere with viewing a photo in which almost all the details are present; moreover, this noise, if desired, is well corrected by the noise reduction program Lightroom 5.6.
What I didn't like
1. Lack of video shooting mode. The specifics of our work played an important role in this moment: we always shoot both photographs and videos for our reviews, we are used to doing this almost simultaneously, and all with one camera. Therefore, the very fact of such reduced functionality is perplexing: let’s say I buy this camera, but how will I shoot video? However, Nikon DF was originally designed specifically for taking photographs, and only photographs, and the buyer will choose this model, clearly aware of his choice, because not everyone needs the function of shooting video in a camera.
2. The screen is not rotatable. When shooting from a tripod in Live View mode from a low position or when shooting handheld from ground level, as well as when shooting various objects or still lifes in the studio, it is very convenient to have a folding screen to comfortably frame a frame and view the footage, quickly check the focus. By the way, a camera with a folding screen would not lose its vintage feel at all and would be no less stylish, but more convenient. Now you have to bend awkwardly to see something on the screen.
3. There is no AUTO position on the ISO dial. This mode can only be selected through the menu, which is not efficient. The upper limit, above which the automation will not raise the sensitivity values, must, of course, be selected in the menu, but switching to auto would be very cool to have on the wheel. The other wheel, which is located in front and is responsible for selecting the aperture, is not at all convenient to turn: it is tight, not tenacious for index finger and it rotates not in a horizontal plane, but in a vertical one, besides, you constantly forget which way the aperture is larger and which is smaller.
ISO selection wheel. There is a smaller wheel on top - exposure correction
3. No built-in Wi-Fi. The disadvantage is debatable, since for those who cannot live without Wi-Fi and the Internet, the external module WU-1a is sold, it is tiny and weightless, connects simply and works immediately without unnecessary settings and drivers. Besides, all this fuss with tablets and smartphones, let’s be honest, is still pampering and entertainment. “Calm down, look around, think about the shot,” the camera seems to be telling us.
4. No built-in GPS. But this thing is already needed for business; we have repeatedly noted in our reviews the need for geotags in a photo file. This is especially necessary for travel journalists, for whom it is extremely important to know where and when one of several hundreds, or even thousands of frames brought from an important business trip was filmed. While shooting test landscapes for this review, we found a picturesque river in the forest, and we had to take a picture with our smartphone to remember the coordinates of the found place (N60.25510 E28.98585). As with Wi-Fi, if you desperately need GPS, you can use the external GP-1 module.
5. Difficult to read numbers in the viewfinder. A traditional feature of Nikon DSLR viewfinders, and the DF is no exception. It’s hard to say who came up with the idea of displaying the number “100” as “1oo”, and it’s also not clear what prevents it from being displayed normally.
6. No battery grip. The battery grip for Nikon DF is not produced by Nikon as a matter of principle. Perhaps for some this will be a minus, since a battery grip in some cases is useful both from the point of view of ergonomics and the presence of a second battery. There is information on the Internet that compatible battery grips have been released, but it is difficult to say what quality they are and how compatible they are.
7. One slot for memory cards. This may be inconvenient if important shooting is being carried out, for example, reporting or shooting a wedding celebration: it would be possible to configure RAW + JPEG on different cards. Of course, the camera is compact in size, and a second slot would lead to an increase in size, which the developers clearly did not want, with the goal of replicating the body of a film SLR as accurately as possible.
Taking a portrait
Portrait on the street
Autumn is a time when every day is different, nature fades quickly, and if last weekend we cheerfully threw up fallen leaves while walking along sunny alleys among colorful trees, then next weekend we risk arriving and seeing the low cloudy sky through the bare branches of oaks and maples. We were lucky with the weather this time: we managed to catch leaves on the trees and weren’t too cold. Of course, we did not come to such beauty alone; it seems that all the townspeople decided to admire the autumn park before the long cold winter. Our fifty-kopeck aperture can remove vacationers from the background: aperture F2, and you're done - there's no one else in the photo except us :-) Fast and accurate autofocus, a bright viewfinder - taking portraits is a pleasure.
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Auto white balance test passed 5 points :-)
Indoor portrait
We decided not to bring a flashlight into the cafe this time; we didn’t want to disturb the atmosphere of the tavern and disturb the vacationers: there were no empty seats in the hall on Sunday evening. The cold light from the window mixes with the yellow lighting inside the room, and you need to look for an angle so that there are no multi-colored shadows on your face. Here we were again faced with the fact that the fifty-kopeck piece for shooting in a cafe is too narrow - beautiful cups, a teapot, cakes with berries and cutlery did not fit into the frame. I had to attract the attention of others, get up and move away from the table with the camera to take a couple of shots.
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Evening portrait
This bench turned out to be a favorite place for taking wedding photos. We occupied it on time and took several portraits with a Nikon SB-800 flash. The flash worked in auto mode, quite predictably and without causing any inconvenience, so we soon made room for a photo shoot of the newlyweds.
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Nature photography
To photograph nature and impressive landscapes, you again need a wider angle, well, at least 35 mm; fifty dollars is still too narrow for this purpose. Finding ourselves on the Gulf of Finland at sunset, it’s simply breathtaking from the breadth of the picture that nature painted as if especially for our arrival.
Therefore, after taking a couple of single shots, we immediately started shooting panoramas, it was very beautiful around! Of course, there are no automatic modes for shooting panoramas in Nikon DF; we shoot panoramas in manual mode and assemble them in Photoshop.
Travel to the ancient Demidov estate
Morning, fog. In a picturesque park there is an old manor with boarded up windows, in front of it is an abandoned apple orchard with apples on the branches. It's cold, my hands are freezing. The sun has just risen, its rays are beginning to break through the tops of the trees, the fog is spreading across the field and over the river, resembling animated translucent pieces of cotton wool. Near an oak trunk fallen by a thunderstorm, there is a door to nowhere. And cobwebs, cobwebs, cobwebs... Finding yourself among such beauty, few photographers will remain indifferent. Here is a small selection of photographs taken during this trip.
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| ISO 12800, handheld | ISO 100, 1.3 second shutter speed, tripod |
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And some more autumn photos:
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Journey to the destroyed estate of A.P. Poltoratskaya
This estate is located on the shores of Bezymyanny Lake in Krasnoe Selo, and this trip can only be called a journey with a stretch, since this place is formally located on the territory of St. Petersburg, not even Leningrad region. This building was built at the end of the 18th century for A.P. Poltoratskaya, the owner of a paper mill, later belonged to Emperor Alexander I, although in size it is slightly below the level of imperial palaces. And we called this voyage a trip for the reason that after Krasnoye Selo we headed along the Tallinn Highway towards Koporye and returned to St. Petersburg through Sosnovy Bor. Here is a small selection of photos from this trip.
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Travel to the Muranovo estate
And here is the first snow: colorful leaves have not yet fallen from the tree branches, and the snow falls on them, forming fancy white caps. There is no wind, so it is not yet very cold, and you can take a longer walk along the deserted alleys in the estate park. We always really like the first snow, it evokes a sad mood: autumn has passed, a long, snowy winter lies ahead... Therefore, you are especially happy when the sun unexpectedly breaks through the clouds, and the first snow melts just before your eyes: there is no winter, winter is still far away, winter not soon yet... Autumn is a wonderful time, and we are very glad that we were able to photograph such beauty; Nikon DF gave us a whole month of joy in communicating with nature, which is what it was, in principle, created for.
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Autofocus in Nikon DF
The Nikon DF camera has a 39-point Multi-CAM 4800 autofocus system. Sensitivity down to -1 EV, compatibility with lenses up to f/8 and the ability to choose one of four AF area modes: 1 point, 9 points, 21 points, 39 points, as well as 3D tracking, there is also an automatic mode.
AF-S- single-frame tracking autofocus, used for shooting stationary objects. It's easy to remember: S - from English single, single. If you press the shutter button halfway, the focus is locked and you can recompose the shot, then press the shutter button all the way down to take the photo. With the default settings, a photo can only be taken if the focus indicator is displayed, that is, autofocus has worked.
AF-C- continuous tracking autofocus, used for shooting moving objects. Accordingly, we remember: C - from English continuous, continuous. The camera focuses continuously while the shutter-release button is pressed halfway; if the subject is moving, the camera will engage predictive focus tracking to try to predict the distance to the subject and focus. With default settings, the shot can be taken in any case, regardless of whether the subject is in focus or not.
Autofocus in Live View mode
Focusing in Live View is different from focusing using the viewfinder because we are not using a mirrorless camera, but a real DSLR. Looking through the viewfinder, we look through the lens and work with fast phase detection autofocus. In Live View mode, the camera raises the mirror and shows the image from the matrix on the screen, focusing by contrast. Focusing in this case is a little slower, but there are several advantages. Firstly, you can use the detection of faces in the frame, and secondly, when shooting static landscapes from a tripod, it is more convenient to turn on Live View and comfortably frame the frame, display a level on top of the image, because we don’t need focus speed here at all. Autofocus in Live View mode cannot be called slow at all, it’s just that in the case of the viewfinder it is lightning fast, for some reason you instantly get used to it and begin to expect miracles from the “live view” mode.
Manual focus
It is convenient to shoot all kinds of objects with manual focus using Live View; in this case, for more accurate focusing, you can greatly enlarge the image on the screen. And what’s especially convenient is that the magnification frame can be moved around the image using the joystick to select the desired object to focus on.
Kit lens AF-S Nikkor 50mm 1:1.8 G
Everyone knows that 50 mm is the standard focal length, a classic. This happens because through the viewfinder we see approximately the same as we see with our own eyes: the perspective does not narrow, does not expand, that is, does not change in any way. In other words, we simply “cut out” our frame from the surrounding nature and capture it with the camera matrix. Having learned to look at the world in this way, you can very conveniently shoot with fifty dollars: here is the frame, in front of you, just cut off everything around in your imagination and shoot it with a camera.
For fifty dollars, in principle, you can shoot any subject: landscapes, portraits, all kinds of still lifes, and reportage. It’s not for nothing that all beginners are recommended to buy a DSLR not with a kit lens, but with a fifty-kopeck F/1.8 lens. We zoom with our feet, don’t be lazy to bend over and think with our heads.
Example below: Aperture priority A, ISO 100, 1 sec. at F/10, tripod.
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Nikon DF and manual optics
With the Nikon DF camera it is convenient to use old Nikkor lenses without a microprocessor, as well as lenses for other mounts via an adapter, with which, as a rule, neither autofocus nor autoexposure work in other DSLRs. But our ward is advanced in this regard: Nikon DF allows you to specify the minimum aperture and focal length of the lens in the menu, assign a number to it, after which in manual mode or in aperture priority mode the camera will correctly determine the exposure, all that remains is to manually focus. The aperture will need to be changed using the ring on the lens, and in order for the camera to correctly calculate the shutter speed, you will need to duplicate your choice with the control wheel on the camera itself, that is, you will need to set the aperture in two places.
In DSLR cameras, there is no manual focus assistant (focus peaking) in the viewfinder, as in mirrorless cameras with an electronic viewfinder, which can color objects in focus white. The Nikon DF has an optical viewfinder, and you can only expect help from yourself, your experience and vigilance. But it’s quite possible to do focus peaking for shooting in Live View mode; We hope Nikon engineers will add such a feature in the next version.
Attention! Before installing a lens without a microprocessor, you need to snap the metering coupling lever, which is located on the mount, into the body. With the camera's native lens, the lever must be lowered down, as in the photo below. The design of this lever looks rather flimsy; you should click it carefully so as not to damage it. It makes sense for Nikon engineers to refine this function by making the lever somehow more reliable.
Nikon DF and M42 optics
For this test, we asked friends for two Soviet prime lenses with M42 threads: Helios-44M-4 2/58 and Jupiter-37AM 3.5/135; they were supplied with adapter rings for the F mount, but we were unable to shoot with these lenses. . To fully use M42 lenses with Nikon cameras, you need a special adapter with a lens inside. With a conventional adapter (without a lens, which is what we had), it is impossible to focus to infinity; you can only shoot close objects, for example for Helios this distance is only 1.5-2 meters. Of course, the lens inside the adapter will introduce distortion into the image, which is inevitable, and you will have to put up with this if you use optics with an M42 thread.
ISO sensitivity test
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| 50 | 64 | 80 |
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| 100 | 125 | 160 |
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| 200 | 250 | 320 |
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| 400 | 500 | 640 |
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| 800 | 1000 | 1250 |
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| 1600 | 2000 | 2500 |
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| 3200 | 4000 | 5000 |
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| 6400 | 8000 | 10000 |
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| 12800 | 16000 | 20000 |
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| 25600 | 51200 | 102400 |
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| 204800 | ||
Comparison of two frames taken at different ISO values:
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| ISO 12800, 1/100 sec. | ISO 50, 10 sec. |
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High ISO values can be used, for example, to work with the movement of water in the frame, as shown in the example above.
ISO 50, shutter speed 2.5 sec. at F/8
Street
The term “street” comes from the English street, which is what photographers call spontaneous reporting, when we simply walk around the city with a camera and photograph street life, passers-by, some events around us and other similar subjects. There are even slang words “street”, “streeter”, “street photographer” and other derivatives. Of course, during the day such a report can be filmed with anything, even a cell phone, and some do so, because in this case it is not so much the quality of the camera and optics that plays a role, but the ability to see an interesting shot and the ability to be in the right place at the right time to shoot something interesting. Another thing is in the evening and at night - here high-aperture optics and the camera’s ability to shoot at high ISOs begin to matter.
So, friends, Nikon DF is a camera for street :-) The fifty-kopeck 1.8 is, of course, a little narrow (a 22 mm pancake is more suitable for street, which is what streeters usually use), but the aperture is just right. And the sensitivity of ISO 12800 is just a fairy tale. Look at our examples below: of course, we are not street photographers, everyone has their own calling, but walking around the city and hand-holding any frame that catches your eye is cool. Mode M, aperture 2, shutter speed 100, RAW, manual focus at infinity and ISO AUTO. The camera is on my neck, I saw the frame - click - I moved on. Notice the detail and beautiful noise pattern. For more drama, we converted our pictures to black and white :-)
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High speed shooting
The camera can shoot a series of frames in two modes - CL and CH, in the first the speed is selected in the menu (you can set from 1 to 5 frames per second), in the second - 5.5 RAW frames (14 bit, normal compression) per second. We immediately set CH, mode M, shutter speed 1/200 and tried shooting.
The camera takes a series of 23-25 frames from maximum speed, after which it continues to shoot approximately 1 frame per second, 38 frames are placed in the buffer. You can continue shooting and shooting, the camera will copy frames from the buffer to the card, placing a new frame in the buffer, and so on. You can limit the number of pictures that will be taken in one series - from 1 to 100, this is done in the menu. Using a faster memory card will speed up the data writing process.
The light that signals that data is being written to the memory card is located on the back of the case on the right under the joystick and is very clearly visible.
High dynamic range
HDR shooting with exposure bracketing
Exposure bracketing in the Nikon DF camera is adjusted in a clever way. First of all, you need to press the BKT button with your left hand and hold it. Next, adjust the fork with the front wheel: 0.3, 0.7, 1.0, 2.0, 3.0. BKT don't let go. After this, you need to use the main wheel (that is, the one under the thumb of your right hand) to adjust the number of frames - 3 or 5. This can all be done both in Live View mode and in normal mode; in the latter case, it is better to display the settings table INFO button. The last step is to turn on the timer and the camera is ready for HDR shooting.
The downside is the fact that the camera always counts the time between exposures; it cannot shoot them all one after another like a machine gun. This will not be convenient when shooting dynamic HDR, for example, a stormy sea in cloudy weather (by the way, try it - great HDR comes out) - the exposures will be too different due to the time delta, and it will not be easy to stitch them together. This very delta can be configured in the menu, but for some reason it cannot be turned off completely.
For HDR merging, we use the Merge to HDR Pro utility of Adobe Photoshop CS6, in some cases - HDR Efex Pro from the Google Nik Collection.
HDR shooting with three exposures
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| -2EV | 0EV | +2EV |
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HDR shooting with five exposures
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| -2EV | -1EV | 0EV | +1EV | +2EV |
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Here's another HDR we shot while testing the Nikon DF:
Active D-Lighting
Active D-Lighting preserves shadow and highlight detail, allowing you to create photos with a more natural range of brightness. This mode is typically used when shooting in JPEG any scenes with high contrast, such as a brightly lit landscape through an arch or window, or objects in the shade of trees on a sunny day. Active D-Lighting can also be enabled when shooting in RAW, which is not entirely logical, since this function does not have any effect on the raw file.
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| OFF | Moderate | Normal |
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| Reinforced | Super Enhanced 1 | Super Enhanced 2 |
High Dynamic Range (HDR)
This function is only for shooting in JPEG mode. In Auto mode, the camera will set the fork to approximately 2EV; in the menu you can also set the fork to 1EV, 2EV, 3EV. The camera will automatically take two photos and immediately merge them into one HDR in JPEG format; for the convenience of shooting from a tripod, you can use the self-timer.
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| HDR OFF | HDR, automatic settings |
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In our opinion, it is better to shoot with exposure bracketing and collect HDR in special program, since almost everything modern programs HDR gluing is able to combat blur in the frame due to the movement of branches, people and other objects. Pay attention to the example on the right: even slight movement of tree branches due to wind leads to ghosting.
Multiple exposure
This mode is for lovers of creative experiments - we combine two or several frames into one, as if when shooting on film we forgot to translate the frame, or rather, did not translate it on purpose. If desired, a similar effect can be achieved in Photoshop by combining at least 2 or 40 files. In this case, apparently, what comes to the fore is the photographer’s desire to immediately get an interesting effect when shooting, without using programs or processing, using only the camera and his imagination.
Multiple exposure is included in the menu, you can configure the overlay from 2 to 10 images, and the output is one finished merged file in RAW format. Interestingly, multiple exposures cannot be shot in Live View; we only use the viewfinder. The default maximum time between taking two frames is 30 seconds, this time can be increased using Custom Setting c2 (standby timer), but on Nikon DF you won't be able to shoot multiple exposures like film, where you can shoot the first frame in one place , then another shot even a week later and in a completely different place.
However, shooting scenes in the multiple exposure style perfectly develops abstract thinking, since it is quite difficult to imagine the future frame and find a location for shooting. We recommend that all novice photographers try their hand at shooting multiple exposures.
Time-lapse photography
Interval shooting, or Time Lapse, is a very exciting activity, but it cannot be called entertainment, since Time Lapse-style videos look very impressive in any professional visual, documentary or feature film. Some even make entire films based solely on Time Lapse.
Of all the cameras that can shoot Time Lapse, we liked the Sony a6000 the most, in which you need to use an additional paid program by purchasing it on the Sony PlayMemories website. What’s good about this program is that it can automatically adjust the exposure as the shooting progresses, and also immediately paste the footage into a finished video file, which can be safely inserted into the layout of the film. By the way, the same functionality will be available in other Sony mirrorless cameras (a7, a5100), since the program used for them is the same, it costs around 400 rubles.
The Nikon DF camera also has an interval shooting function, and it can be adjusted within a very wide range: you can even set the start of shooting at a certain time, in addition, the number of frames and the time delta between frames can be adjusted. But the camera won’t stitch the finished film together; you’ll have to copy the captured files to your computer and assemble the Time Lapse video yourself, for example in Adobe Premiere or After Effects.
Flicker. Another point is the so-called “flicker”, that is, the flickering effect of the picture, caused by the fact that the aperture in the lens closes slightly differently when shooting each next frame, which is completely unnoticeable when viewing photographs, but very strongly noticeable when watching Time Lapse, one can actually say that this flickering completely spoils the video. Shooting on Canon cameras, we used a cable release with a remote control (the electronics of the remote control controlled the camera) and slightly twisted the lens in the bayonet mount, fixing the aperture in one position, thus getting rid of the stopper. You can use software solutions; some applications can do the so-called Deflicker, that is, they process the material using software algorithms to reduce the flickering effect. In Sony cameras, all control is done electronically, and there is no flicker in Time Lapse videos.
In Nikon DF, the interval shooting function is part electronic program camera, so it is able to control shooting correctly, and there is no flicker. Our video shows an example of a Time Lapse video; we did not use any software algorithms and did not twist the lens anywhere. Simply set the camera on a tripod and took a series of 450 photos at 5 second intervals.
When shooting Time Lapse, the camera uses battery power very sparingly, showing each captured frame for only a split second; the rest of the time the screen is black. The number of remaining frames can be conveniently controlled on a small additional screen on the top edge of the camera.
Picture Control System
The Picture Control system is used to process pictures directly in the camera, and settings are made for those pictures that are yet to be taken. Nikon DF has preset Nikon Picture Control system modes:
- Standard- standard image processing to obtain a balanced effect, can be considered the default setting, since this is the type of processing that is recommended in ordinary cases.
- Neutral- minimal image processing to obtain natural results. Recommended for photographs that will be further processed on a computer.
- Saturated- image processing to obtain rich prints, can be used if there is a desire to emphasize the primary colors in the photograph.
- Monochrome- shooting monochrome photographs, in this mode it is possible to use toning. You can also use filters for monochrome mode: Y (yellow) - increases contrast, for example, to reduce the brightness of the sky when shooting landscapes; O (orange) increases contrast more than yellow; R (red) - increases contrast more than orange and G (green) - softens skin tones when shooting portraits.
- Portrait- processing portraits to obtain a natural skin texture and make it smooth.
- Scenery- for creating vibrant landscapes and city views.
If the shooting is carried out in JPEG format, the file will be written to the card according to the settings; in other words, if Monochrome was set, the picture will be shot in black and white, and no amount of shamanism with a tambourine will ever make it color. In the case of shooting in RAW, all processing will affect exclusively the preview image; the raw file itself will be shot regardless of Picture Control.
However, in the case of RAW, everything is not so simple. If you use software Nikon, for example Capture NX-D, then all Picture Control settings will be saved and the RAW file will open in the program according to these settings. Moreover, Capture NX-D will cling with all its might to these same processing, and it will not be easy to cancel them, returning RAW to its raw form: you need to open the Picture Control tab, select “Latest Picture Control” in it, and then select “Flat” there . If you use Lightroom 5.6, the RAW file will be opened as a regular RAW file, all Picture Control settings will be lost.
Each of the standard presets can be edited to your taste and saved as a user preset: in any of them you can adjust the sharpness, contrast, brightness, saturation and hue according to your own preferences. An interesting feature is that user presets can be copied to a memory card and exchanged with other users. These presets can also be configured on a computer using Picture Control Utility 2 (see screenshots below) and used when working in ViewNX 2 and Capture NX-D.
Nikon Picture Control Utility 2. Create your own preset based on the standard Monochome preset
Nikon Capture NX-D. Applying the newly created preset to a photo
Creating processed copies
Nikon DF also allows you to process footage directly in the camera. Available: D-Lighting, red-eye reduction, cropping, monochrome, filter effects, color balance, image overlay, NEF (RAW) processing, resize, fast processing, alignment, distortion control, " fish eye", color outline, color sketch, perspective control, miniature effect, selective color, visual comparison. As a result of processing, the camera will create processed JPEG files. This functionality seemed to us not very appropriate in a camera of the Nikon DF level; photographers are unlikely to use it, unless they may need the RAW processing mode directly in the camera for something.
Battery
The EN-EL14a lithium-ion battery with a capacity of 1230 mAh holds a charge throughout the entire shooting day, unless you use Live View very often. On one battery charge we shot about 400-500 RAW per day, and by the evening the camera began to ask for recharge. In autumn the temperature was approximately +4-12 °C. However, at its presentations, Nikon claims 1400 frames per battery charge; We were not able to check this, since there were not so many stories around. Our record is about 400 RAW frames per day of shooting + that evening we also shot a Time Lapse of 450 RAW frames, all on one charge.
There is no point in constantly turning the camera on and off while shooting - it falls asleep and does not consume energy in standby mode until the photographer finds the desired angle (the time after which the camera goes to sleep can be set in the menu using the c2 setting). The camera wakes up instantly, as well as turns on - in less than a second. The charge indicator is always shown on a small screen, which is very good, but some advanced cameras today can calculate how many frames are approximately left at a given charge level. Nikon DF can’t do this, although until we found out about such a feature that this was possible in principle, we didn’t need it. Simpler is sometimes better.
The camera does not charge via a USB cord; it only needs 220V, and the battery must be removed from the battery compartment of the camera and inserted into the charger. When removing and inserting the battery, we once again admire the stylish and convenient lock of the battery compartment. When traveling, you should always have a charger with you, or better yet, a spare battery - it won’t put a dent in your pocket, but it can help out if necessary.
Don’t forget to also watch our program “Photo Fire!”
conclusions
pros
- Excellent picture quality
- Wide range of honest ISO workers
- Unique design, wheel control on the body
- Only PASM and no automatic modes or built-in styles like “portrait”, “landscape”, “food”, etc.
- Detailed menu, almost all camera parameters can be customized
- Cool fifty dollars AF-S Nikkor 50mm 1: 1.8 G included
Minuses
- The camera does not record video
- The screen does not rotate
- A catchy, bright, recognizable design in some cases can also serve as a disadvantage - the camera attracts attention, it is impossible not to notice it, especially in a silver case
- Weak battery, weak hinges on the battery compartment lid, no battery grip
- Lack of built-in GPS
- One memory card slot
Who is Nikon DF for?
This camera is chosen with the heart: having decided to buy a Nikon DF, the photographer will be happy to use it for a long time and be proud of his camera. It will be bought by someone who appreciates the original style of classic Nikon DSLRs, who is demanding of ergonomics and image quality, and who also prefers to stand out from the crowd. One of the best full-frame sensors in the industry, fast autofocus and classic design, compatibility with Nikon lenses and accessories make this camera an excellent choice for both advanced amateur and enthusiast photographers and professionals.
Ratings on a 10-point scale from FotoExperts
- Ergonomics - 9
- Settings menu - 10
- Case quality - 10
- Photo quality - 10
- Whale optics - 10
- Screen, viewfinder - 8
- Autofocus operation - 10
- Shooting at high ISO - 9
- Battery - 7
- Interfaces - 9
Total: 92%. An excellent choice for any type of photography.
From the authors: we are waiting for the development of this model and the appearance on the market of the next version of Nikon DF, possibly Nikon DF2. And if it is capable of shooting video and is equipped with a rotating screen, but at the same time retains its vintage, originality and uncompromising quality, there will be a reason to seriously think about switching to Nikon. Yes, and let there be two memory cards and a compatible battery grip :-)
They helped us in filming
thanks for professional attitude to the point, a great autumn walk and great mood in the pictures!
The Nikon Df DSLR has undoubtedly become one of the most interesting new products of the past year. It also made a splash with its announcement procedure: before the official announcement of the release of the new product, the public was skillfully warmed up by a whole series of teaser videos, completely cinematic (or car-like).
The very announcement of the new camera in Moscow for the press and partners also took place quite pompously, in the very heart of the capital - in the State Historical Museum.
Main features of Nikon Df
Nikon Df Specifications
| Class | Full frame DSLR camera |
| Matrix | CMOS, FX (35.9x24 mm), 16.2 MP (4928x3280) |
| Viewfinder | Optical mirror with pentaprism; displays 100% of the full frame; diopter adjustment |
| Photo format | RAW/NEF (uncompressed, lossless or compressed), TIFF (RGB), JPEG (super fine quality possible), JPEG+RAW/NEF |
| Video format | - |
| Shutter speed range | 1/4000-30 in 1/3 stop increments, V and T (when installed with a disk 1/4000-4 s step 1 step, B and T) Sync speed 1/200 s (1/250 s synchronization possible) |
| Continuous shooting | 5.5 fps (high speed mode); 1-5 fps (low speed mode); |
| Focusing | TTL AF with phase detection, 39 points; frame-by-frame, continuous, incl. predictive; manual; in Live View mode - TTL AF with contrast detection across the entire field of the frame, single-frame, continuous, face priority or tracking; manual |
| Photosensitivity | ISO 100-12,800, expandable to ISO 50 and 204,800 |
| Screen | 3.2 inches (8 cm), 921k dots |
| Memory | 1 slot, SD, SDHC, SDXC cards |
| Interfaces | USB 2.0, mini-HDMI (type C); connector for connecting wireless flash controllers, remote control, GPS receiver; PC sync contact |
| Dimensions and weight | 143.5 × 110 × 66.5 mm OK. 710 g (body), 765 g (with battery and memory card) |
Appearance
Nikon Df first of all differs from all other DSLRs, including those from other manufacturers, in its sharply different design concept. That's why we start with it.
When you pick up the camera, the first thing that attracts your attention is the part of the control interface concentrated on the top panel. It is thanks to her that the camera, when viewed from the front or from above, makes the hearts of old-school photographers, who began their journey in photography “under the old regime”, in the already distant “pure film” times, beat faster. When developing the upper controls (and the pentaprism casing that adds charm), solutions were used that were tested in their time on the legendary F3 and FM film DSLRs. Metal, notches... One gets the feeling that when developing this camera, audio designers were also involved, providing the necessary, “authentic” volume and timbre to the characteristic clicks that accompany the rotation of the disks.
The left (from the prism when viewed from above) pair of coaxial locking disks is used to enter photosensitivity and exposure compensation. The right dial sets the shutter speed (it is also fixed, but only in a position that allows you to select the shutter speed digitally, in 1/3-step increments using a “twist”), and the lever at its base selects the “film advance” mode, among which there is also a shooting with preliminary raising of the mirror. The “collar” of the shutter button (into which, by the way, you can screw the most ordinary, mechanical release cable) turns the camera on and off, and another small dial on the right selects the exposure mode: no scene programs, nothing superfluous, only M, A, S and P Another rotating disk is located on the front right, under the shutter button; approximately where the focus dial was located on Contax rangefinder cameras. But here this dial controls the selection of aperture on modern lenses that do not have an aperture ring. There is also a toothed “twist” at the back at the top right, under thumb right hand. All this looks very convenient and clear. For “beloved” parameters, there is also a small LCD display on the right side of the top panel.
Of course, Nikon Df also has a variety of buttons, without which the full functioning of a modern digital camera is impossible. On the back we have buttons for changing the mode of displaying information on the LCD screen and turning on the Live View mode, a three-position dial switch for exposure metering mode (as expected, you can choose from matrix, center-weighted and spot metering) and a multifunctional joypad with an “OK” button in the center, with which allows you to navigate through menu options and select different focusing points. At the top right, next to the gear “twist”, there are a pair of buttons that control one the focus and exposure memory, and the other the autofocus launch. At the top left are two regular buttons for switching to view and delete mode.
The large 8cm LCD screen is fixedly mounted on the rear panel. It has a fairly high resolution and is protected by reinforced glass. It can display information about the longitudinal and lateral tilts of the camera from a biaxial virtual horizon (data about the lateral tilt is also displayed in the viewfinder). A shooting mode with sighting on the screen, that is, Live View, is also possible; in this case, contrast detection autofocus is activated. To the left of the screen is a standard set of “numeric” buttons.
If you look at the camera from the front, at the bottom left of the lens you will find two buttons, one of which is the aperture repeater by default, and the “position” of the second, Fn, is selected by the photographer at his discretion. To the right of the lens at the base of the bayonet there is a lever for switching between automatic and manual focusing and, of course, a button for unlocking the bayonet lock.
The overall appearance of the camera has two main options: completely black and with a silver top and bottom panels and sub-bayonet box. In principle, the all-black version in appearance, especially from a distance, differs little from the vast majority of other SLR cameras and does not attract much attention, which may be important for, for example, street photographers. A camera with silver elements looks much more stylish, but that is precisely why it attracts glances, not all of which can be dictated by admiration or white envy.
Internal content
From a mechanical point of view, the Nikon Df is quite durable: the top, bottom and rear panels of the body are made of magnesium alloy. The joints of parts, covers of compartments and connectors, buttons and disks are sealed to protect against adverse conditions at the level of the D800 camera, that is, quite reliably.
The optical viewfinder system occupies a considerable amount of space inside the body. It is optical, traditional for DSLRs, prismatic, displays 100% of the frame. In terms of the size of the observed field, it is equivalent to cameras D4, D800, D600/D610. The old film Nikon F3 with a standard DE-2 viewfinder had a larger field, but it was still quite good.
One of the most important points is that the Nikon Df camera is equipped with an excellent full-frame 16-megapixel CMOS matrix from the top model Nikon D4 and an EXPEED 3 graphics processor taken from it. The autofocus system uses a 39-zone focusing module Multi-CAM 4800 - the same as used on D600/D610 cameras. When using non-autofocus lenses with an aperture of at least f/5.6, the electronic rangefinder is fully functional. A shutter with a guaranteed trouble-free life of 150 thousand cycles is clearly not from D4; it allows continuous shooting at speeds up to 5.5 fps.
The new camera has a Nikon-like rich set of additional functions. There is a “quiet shutter” mode for unobtrusive, low-noise continuous shooting. It is possible to shoot in DX mode, that is, “cropped”. In mode HDR camera Automatically takes two photos with up to 3 stops of exposure difference. There is also a well-deserved “active D-Lighting” function. The built-in processing menu allows you to remove red-eye, process RAWs, enhance colors, apply a “star” filter and skylight. Optical distortions can be quickly corrected.
An extremely important feature of the new product must be recognized as its high energy efficiency: a fully charged EN-EL14a battery in time-lapse shooting mode should, according to the manufacturer, last for 1400 pictures; agree, this dramatically reduces the need for a battery grip (as a carrier of an additional power source). We cannot yet confirm or refute this statement, but we must testify that about 900 frames we shot did not lead to battery depletion.
Optics
On Nikon Df, indeed, as promised, you can install all lenses with an F mount, including very old ones that do not have an Ai-lead (they can be used in M and A modes, which, however, will be quite enough for owners of such optics). That is why, as you can see, among the optics taken for testing, we also had an ancient, but quite good high-aperture “fifty kopeck”.
If you take the camera and look at the mount from the front, at the top right, just behind the polished mounting surface, you will notice a small metal guide. It is necessary to transmit aperture information to the camera from non-autofocus lenses equipped with the Ai-S system. This information is transmitted mechanically: a metal bracket mounted on the lens aperture ring, resembling a crown in profile, engages with it and moves depending on the set aperture. To put a prehistoric lens on the camera without fear of it jamming, this leash can be moved to the side (the last camera that had a similar option was the film Nikon F5, which was discontinued about 10 years ago).
The camera memory can store data for up to nine lenses without a built-in processor. If there is a lens on the camera (and in its memory!) without an Ai-link, when shooting you will first need to rotate the aperture ring under the shutter button to select the appropriate aperture based on the exposure metering data, and then set the selected value with the lens aperture ring: direct mechanical connection on the camera with such a lens it won’t even be at the “jumping aperture” level.
It’s easier to say what you absolutely cannot put on the Nikon Df: lenses from the forgotten APS system IX-Nikkor, the rarest autofocus monsters produced for the F3AF, and, of course, the “babies” from the compact mirrorless Nikon 1 system. When installing cropped DX lenses, the camera automatically switches to DX mode, and a frame bordering the cropped frame will appear in the viewfinder.
Practitioners' opinion
Instead of theorizing about the ergonomic features of the new product, we preferred to record the opinion of two professional photographers about the new camera: Vladimir Morozov and Elena Volkova. Their experience allows them not only to evaluate the new camera in general, but also as a tool, suitable or not suitable for solving specific problems.
Opinion of Elena Volkova:
I work in different directions, I do subject matter, industrial photography, I photograph people. It’s not uncommon to have to hold a camera with a large lens in your hands for several hours in a row.
At the same time, as you can see, I myself am not large in shape, and my hands are miniature [laughs]. So this is what I will say: although the camera itself is relatively small, it was uncomfortable for me to work with it right away. You put a 28-70/2.8 zoom on the camera, and that’s it, your hands begin to fall off - the handle is small, and it’s inconvenient to hold the camera with your right hand with the center of gravity shifted too far forward. But I worked with Canon, Nikon, and even PhaseOne cameras.
The release button, for my taste, is not very conveniently located. And the aperture ring seemed completely inconvenient to me; It is much more convenient to control the aperture on the lens itself.
I didn’t shoot much with them, just a few hundred frames. The picture at high sensitivities seemed noisy to me already at 1600 ISO. It looks like black and white grain. But I am completely indifferent to the lack of a video recording function.
Yes, it was probably made for prime lenses, for old optics. But not for me: the camera looks interesting, but I won’t buy it for myself. It is not suitable for solving my problems, and I don’t like it for its usability.
Vladimir Morozov on the line:
As soon as the Df goes on sale, I will definitely buy it.
Yes, the camera is small and not very comfortable in the hands, especially with large lenses; You can’t carry it “with one right hand”, like a regular DSLR with a large handle. A large professional zoom or discrete zoom will literally turn the camera out of the right hand. It is clearly intended for those who shoot slowly, from time to time bringing the camera hanging from the neck strap to the eye. Or for those who shoot on a tripod: that is, people like me.
I am quite satisfied with the picture quality that the camera produces, both in terms of color rendition (no problems even with difficult light, like the D4) and in terms of resolution. I do a lot of commercial work for online display, and that's where the Df comes in handy: it doesn't require extreme resolution for the "finished product," so it will allow me to save the life of my main workhorse, the Hasselblad H4D. In addition, calculation of the diffraction limit for a full-frame 16-megapixel matrix shows that the “hole” can be safely closed up to f/12.4 (and for the “eight hundred” - only up to f/8.2!), which is very important in close-up subject matter filming
I especially liked the quality of shooting at high ISOs: 800, 1600, and in some cases 3200 ISO are quite “working”. High-quality large pixels of the matrix provide excellent color (including shades that are difficult for digital) and texture elaboration, which is clearly visible in JPEGs (look carefully at the photo of cardboard glasses; this is just a “camera” JPEG), and RAW processing allows you to get maximum quality.
Among the shortcomings, I would like to note an interesting effect: on the one hand, the camera is specially designed for the possibility of using old non-autofocus optics, on the other hand, getting into focus in low light is not so easy, there are no auxiliary devices in the viewfinder field such as micropyramids or wedges, and the electronic rangefinder is not always convenient.
And the fact that Nikon Df does not allow you to shoot video is indifferent to me. If I suddenly needed this feature, I personally would rent a Canon EOS 1DC specially made for video. What’s more important to me is that the pictures are written to a single SD card; however, this is not the biggest problem these days.
P.S.
Despite the apparent polarity of opinions, both professionals agree on one thing: Nikon Df should not be carried in your hands, it is fundamentally not for that. Actually, based on this thesis, you should make a decision about whether to buy such a camera or not.
The camera should be on a tripod (or attached to a large lens mounted on a tripod) or hung around your neck. You only need to take it in your hands to turn the adjustment dials and, bringing the viewfinder eyepiece to your eye, press the shutter. Without missing a spontaneous shot: with a moderate “rate of fire” for today’s times, the camera startup time is only 0.14 s, and the shutter delay after pressing the shutter is 0.052 s.
I guess I won't be too far from the truth if I say that the Nikon Df may be of interest, in particular, to those looking at the Fujifilm X series cameras: excellent retro design and relatively compact size, but the Df is a full-fledged with a DSLR and not a rangefinder, which is important for many.
ISO
To test the camera's capabilities on different meanings photosensitivity, we took photographs with cookies (however, other test photographs from this side are also indicative).
You can view the crop of this photo at 100% size. To compare frames with different ISOs, click on the photo below; A selection of crops from this section of this photo, taken at different ISO values, will open, collected into one image.
You can download full-size photos from the link given in the last chapter “Test photos”).
Flaws
The ideal, as we know, is unattainable. The Nikon Df camera is not without its shortcomings.
First of all, we note once again that it does not have a video recording function in any form. It was announced that this is a fundamental conceptual decision of the developers. At the same time, the “brains” of the D4 camera support shooting, albeit not the most sophisticated, but still Full HD video. Perhaps this option is reserved for the model under the tentative designation Df-2. Or maybe not: there is a well-founded opinion that for full-fledged professional high-quality video shooting, the combination of characteristics is suitable for two very specific models of DSLRs from another manufacturer, which need to be purchased (or rented) for “videography” classes.
Since the camera is deeply stylized as retro, one can only regret that it does not have a removable pentaprism. A mine viewfinder for shooting from chest level (in the absence of a folding screen) would, I think, be appreciated by all street photographers.
And when working with old non-autofocus lenses, especially if they do not have a particularly large aperture, there is a very lack of opportunity to change the focusing screen to an old-mode one, with Doden optical wedges or at least with micropyramids, which make “catching focus” much easier when manually focusing. It is clear that these ideas are extremely difficult to implement technologically (yes, the technological complexity of modern devices sometimes makes it impossible to implement the simplest technical solutions), but nothing can stop us from expressing regret about some of the functional limitations of the retro design of the new product.
The “grasping” part of Nikon Df, D800 and D4 cameras. The difference is clear and compelling; The desire to get a clip-on or clip-on external grip, and at the same time the ability to hold the camera in your hand for a long time and confidently, is quite understandable..
And one more point, clearly illustrated by the picture above: despite the significant declared battery life and the absence of a direct need for a battery grip, the ability to attach an external grip to the camera, which increases the convenience of holding the camera in your hands, obviously would not hurt. Modern technologies do not interfere with this, and the appearance of such a handle would clearly expand the circle of those who could purchase it. It is clear that with such a handle Nikon Df will most likely lose the right to be called the most compact autofocus Nikon DSLR, but happiness does not lie in compactness alone: ergonomics and the notorious “usability” are also very important.
Final conclusions
The most high-profile new product of 2013 is a controversial camera, causing controversy and giving rise to conflicting opinions. That is, of course, very interesting!
If you like slow, quiet, thoughtful shooting, if you want a tool that allows you to use any Nikkor lens created over the last six decades, and at the same time you prefer discrete optics to zooms, if you don’t hold the camera in your right hand from morning to evening, but you raise it to your eye only to press the button; if you consider a DSLR to be a camera and not a video camera, the choice in favor of the Df is obvious.
If you need sporty "speed of fire", if you run around the studio all day with a camera in your hands, and especially if you even partially consider the camera as a tool for video shooting, the Nikon Df is not made for you.
But to finally understand whether you need this camera, even taking into account the known features and limitations, you need to pick it up, twist it, click the dials, and bring it to your eye not only with a light standard fifty-kopeck piece, but also with a large aperture zoom. It is quite possible that you will like it right away. Or maybe not: the choice is yours.
Nikon Russia presents a service program for Nikon professional equipment. When purchasing professional equipment from dealers with the status"Professional Nikon Dealer" you get 1 year warranty and 3 years of service.
Test photos
Full size files of the test photos below (JPEG + RAW/NEF). Traffic 190 MB.
Lens AF-S Nikkor 24-70 mm f/2.8G ED, F=62 mm, 1/4000 s, f/4, 3200 ISO.
Nikkor Ai-S 50mm f/1.4 lens, 1/125 sec, f/4, 3200 ISO.
Lens AF-S Nikkor 24-70mm f/2.8G ED, F=38mm, 1/500s, f/4, 800 ISO.
PC-E Micro Nikkor 85mm f/2.8D lens, 1/200 sec, f/15, 100 ISO.
The newest cameras in this segment were surrounded by a halo of gossip, rumors and hopes. And now, finally, the moment has come when Nikon laid its cards on the table.
Nikon DF Key Features:
- magnesium alloy housing with weather seals;
- 16.2 Megapixel full-frame CMOS sensor (same as Nikon D4);
- sensitivity range ISO 100 - 128 00 (expandable to 50 - 204 800);
- shutter speed range 30 – 1/4000 sec., flash sync speed 1/200 sec.;
- 39-point autofocus system (same as in Nikon D610), 9 cross-shaped sensors, focusing up to f/8;
- 2,016-pixel RGB sensor;
- EXPEED 3 processor;
- large 3.2-inch LCD display with a resolution of 921,000 pixels;
- pentaprism as an optical viewfinder with 100% coverage and approximately 0.7x magnification;
- SD card slot;
- maximum continuous shooting speed up to 5.5 frames per second;
- dimensions 143.5 x 110 x 66.5 mm;
- weight with battery and memory card 760 g;
- cost $2,749 for body kit, $2,999 with new lens Special Edition AF-S 50mmf/1.8G.
It's obvious that The camera is capable of producing very high quality images in all conditions thanks to the D4's excellent 16.2 Megapixel sensor. For those who are not chasing 24 or 36 Megapixels, this resolution will seem fine. On the other side A 39-point autofocus system similar to the D600/D610 looks a little out of place in such a device. Surely many users would prefer to see a simpler autofocus system here (for example, 11-point cross), which would cover more of the frame. And finally, The shutter speed range also leaves much to be desired with a maximum of 1/4000 sec. For such a price, you should expect at least 1/8000 sec., which is especially important for shooting in daytime with the prime lens aperture open. On the other hand, this was not a big problem for D700 owners.
A pleasant surprise was the use of retro styling, namely a waterproof (similar to the D610) case. It’s not customary to protect old-fashioned switches and levers from moisture, which makes it all the more pleasant to learn about such an option in Nikon DF. In any case, analog controls are not completely analog, because, for example, the shutter speed selection system is not connected directly to the shutter mechanism. The back of the camera features a massive 3.2-inch LCD display for easy viewing of images. It is strange that the Nikon DF announcement does not indicate the ability to record video (perhaps something will change with a firmware update), but there is a Live View mode.
If you look only at the specifications of the Nikon DF camera, then it is worth noting that it is more expensive than the Nikon D610 (a comparison with this camera cannot be avoided, since they are similar in characteristics), but is somewhat inferior in technical characteristics. For example, the Nikon DF only takes one SD card and can shoot at 5.5 frames per second, which is identical to the discontinued Nikon D600 but half a frame slower than the Nikon D610. The new product also does not have a built-in flash (for some this is important) or a video recording mode. And this is a rather significant omission since the days of Nikon D90 and Canon 5D Mark ll (the first two DSLRs with support for video recording), when this became a requirement. And all this for such a huge cost? Already now, for photographers working with mid-level equipment, buying a Nikon DF does not make sense. However, there will be buyers who will find features other than technical specifications in the camera.
Characteristic features of Nikon DF.
The Nikon DF is like a photographer's typewriter. Like a typewriter, it clicks, types, and responds to pressure. But underneath the retro styling and analogue controls is a modern processor and powerful focusing system. It's like hiding a modern MacBook in a typewriter. The camera is ideal for those who want a symbiosis of the pleasure of working with a film camera and the flexibility of a digital camera. The camera can shoot more than 5 frames per second, but you don't really want to chase those numbers. The model is capable of creating HDR images, but this is not written on the body. This is a device for photography, slow, thoughtful, artistic. In the end, it's hard to argue that the Nikon DF will be liked even by those who criticize it.
Appearance.
An amazing camera that the more you look at it, the more you like it. Available in black and silver-black versions, for those who want a model closer to modern devices or a completely retro camera. The emphasis on design in this camera is not accidental. Agree that it is much more pleasant to use a device that you like not only for the quality of the pictures you take, but also for its stylish appearance, which is pleasant to hold in your hands. Secondly, people around will react to a photographer with a Nikon DF in his hands completely differently than, for example, to a photographer with a D800. Therefore, the latest emphasis of manufacturers on the retro form factor is not at all accidental. This design is virtually timeless, so it's no surprise that so many users love retro devices.
Control.
One of the reasons for the popularity of the Fujifilm X series is the analog switches and controls. You clearly feel the feedback from the camera from the clicks of buttons and levers. With a Nikon DF camera you'll look at the LCD less often. Nikon assures you that all mechanical switches can be distributed on the surface of the body, be it a small M/A/S/P mode dial, shutter speed, ISO or exposure compensation. You can also use the switch to change the shooting speed or set the shutter timer.
Nikon DF as the successor to the Nikon F film series and replacement for the Nikon D700.
The Nikon DF camera is entirely focused on the photography process. It has most of the features of digital cameras, but doesn't advertise it at all. In some ways, it resembles the Nikon D700 thanks to its flagship sensor. However, not all photographers will be happy about switching from Nikon D700 to Nikon DF, because in some respects the new product is inferior to modern ones digital cameras. At the same time, many amateur photographers finally received the camera they were waiting for. Less technical innovation? No problem. No video recording? On paper, an absolute minus. But for those who care about reducing opportunities, this is an absolute plus.
Of course, Nikon DF does not show outstanding results when shooting sports events or wildlife, therefore according to these parameters it cannot be a full replacement for the Nikon D700.
Official press release.
Melville, New York (November 4, 2013). The new Nikon DF camera is a modern classic and is designed for those who want to feel connected to their camera, who enjoy photography in unfamiliar places and who want satisfaction in the act of shooting. Today it was announced that Nikon DF is a unique device, combining the advanced characteristics of DSLR devices and the heritage of Nikon film cameras. The Nikon DF pays homage to the style of the Nikon F series 35mm film cameras, but uses technology similar to the flagship professional DSLR Nikon D4. Paired with the similarly styled AF-S NIKKOR 50mm f/1.8G lens, Nikon's latest FX camera format offers a versatile option for style-conscious creative photographers.
“Nikon cameras have played an important role in documenting world history for more than 50 years and have established themselves as trusted companions for enthusiast photographers. Nikon DF represents much more than just the legacy of a legendary camera series. The camera allows the user to truly enjoy creating amazing images.", said Masahiro Hori, director of marketing and planning at Nikon Inc. “Classic design and functional equipment with the latest technology. Nikon DF brings together the best of the past and present of full-frame photography."
A modern masterpiece with a classic design that lets you feel the small switches and details, and embodies the best of Nikon's long-lasting heritage. The camera makes it easy to discern a pentaprism in the outline of the body, which is now made of durable and lightweight magnesium alloy. The top of the body houses elegant and sophisticated mechanical adjustment switches, allowing you to tactilely feel adjustments such as the click of a shutter adjustment. Additionally worth noting are classic ISO control, exposure compensation, shutter release adjustment, while modern control is also available. The intuitive layout of the controls allows you to quickly adjust all important shooting parameters.
Nikon DF was designed with an emphasis on the body details that made previous generations of Nikon cameras famous. For example, a textured leather surface for a comfortable grip with a built-in shutter button. The design also recalls the compact nature of previous generation cameras, creating the smallest and lightest FX format camera in the Nikon family.
As for technical characteristics, the Nikon DF camera received 16.2 Megapixel FX CMOS sensor, inherited from the professional flagship camera Nikon D4. The large sensor (36 x 23.9 mm) allows you to create truly high-quality images in high resolution and difficult lighting conditions. Whether it's landscapes, wildlife or wedding photography, Nikon DF images are astonishingly bright, accurate in color and have a wide dynamic range. In addition, Nikon's exclusive EXPEED 3 processor allows you to obtain natural color depth in the frame with amazingly accurate reproduction of small details and nuances.
Like many professional cameras, Nikon DF works in a wide range of lighting conditions thanks to its wide range ISO 100 to 12,800 with stunning expandability to 204,800. The combination of a low level of noise in the frame and a wide spectrum allows the camera to be used to solve journalistic problems.
Nikon DF represents the culmination many years of experience engineers and exchange views with photographers around the world. With its proven autofocus system and compatibility with a wide range of lenses, Nikon DF incorporates all the best camera features of all time.
Autofocus system . The convenience and accuracy of the 39-point system is proof of the benefits of modern technology. The system also has 9 cross-shaped dots, and 7 dots can operate down to f/8. Users will also be able to choose from a variety of AF modes: 9-point, 21-point, 39-point and 39-point with 3D Tracking and Auto Area AF;
2,016-pixel RGB sensor shooting and scene recognition system. This feature allows you to analyze each shooting scenario and determine the correct parameters for shooting, resulting in accurate white balance settings and precise autofocus selection. For shooting sports, wildlife and other fast-moving subjects, the Nikon DF has a continuous shooting speed of up to 5.5 frames per second;
3.2-inch LCD display and glass pentaprism viewfinder. Users can easily see the quality of their photos on the 921,000 pixel LCD screen, which also makes Live View easy to use. Using the optical viewfinder, users will be able to enjoy 100% frame coverage. Moreover, the image in the viewfinder is also digitized.
Connection and instant data transfer. An important functional feature is the ability to additionally connect the WU-1aWirelessMobileAdapter adapter, which will allow you to download and instantly share data with users on the Internet.
Functions and modes. Users have a wide range of different shooting modes to choose from. Nikon DF also has the ability to shoot in HDR mode, which allows you to combine multiple images with different dynamic ranges into one. It is also possible to shoot in JPEG, TIFF or RAW file formats.
NIKKOR lens support . Also, the Nikon DF camera is compatible with all modern AF, AF-S, DX or AF-DNIKKOR lenses, as well as classic Ai and non-AiNIKKOR lenses.
Accessory support. Nikon DF is compatible with the Creative Lighting System (CLS), allowing you to use an i-TTL flash or flash group. It is also possible to remotely control the shutter, as well as connect an AR-3 cable.
Classic FX format prime lens NIKKOR Special Edition.
The new AF-S NIKKOR 50mm f/1.8G Special Edition lens is the result of a combination of classic NIKKOR style and modern optics. The lens design is similar to the original NIKKOR Ai lenses in color, texture and aluminum mounting ring. This optic is ideal for everyday portraits, landscapes and casual shots, thanks to its wide seven-blade aperture for natural blur and dramatic depth of field. Despite its classic design, the AF-S NIKKOR 50mm f/1.8G Special Edition allows photographers to capture images that are sharp and clear anywhere in the frame.
Price and start of sales.
Nikon DF will be available at the end of November 2013 in classic black and silver colors. The recommended retail price for the body kit will be $2,750, while for a set with an AF-S NIKKOR 50mm f/1.8G Special Edition lens the cost will be $3,000. In addition to the classic design, Nikon will offer black or brown leather cases for the CF-DC6B and CF-DC6S, with pricing to be announced.
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