Nikon DF SLR camera review. A visual overview of Nikon Df in comparison with Nikon D4

The newest cameras in this segment were surrounded by a halo of gossip, rumors and hopes. And now, finally, the moment has come when Nikon laid its cards on the table.

Nikon DF Key Features:

  • magnesium alloy housing with weather seals;
  • 16.2 Megapixel full-frame CMOS sensor (same as Nikon D4);
  • sensitivity range ISO 100 - 128 00 (expandable to 50 - 204 800);
  • shutter speed range 30 – 1/4000 sec., flash sync speed 1/200 sec.;
  • 39-point autofocus system (same as in Nikon D610), 9 cross-shaped sensors, focusing up to f/8;
  • 2,016-pixel RGB sensor;
  • EXPEED 3 processor;
  • large 3.2-inch LCD display with a resolution of 921,000 pixels;
  • pentaprism as an optical viewfinder with 100% coverage and approximately 0.7x magnification;
  • SD card slot;
  • maximum continuous shooting speed up to 5.5 frames per second;
  • dimensions 143.5 x 110 x 66.5 mm;
  • weight with battery and memory card 760 g;
  • cost $2,749 for body kit, $2,999 with new lens Special Edition AF-S 50mmf/1.8G.

It's obvious that The camera is capable of producing very high quality images in all conditions thanks to the D4's excellent 16.2 Megapixel sensor. For those who are not chasing 24 or 36 Megapixels, this resolution will seem fine. On the other side A 39-point autofocus system similar to the D600/D610 looks a little out of place in such a device. Surely many users would prefer to see a simpler AF system here (for example, 11-point cross) that would cover most frame. And finally, The shutter speed range also leaves much to be desired with a maximum of 1/4000 sec. For such a price, you should expect at least 1/8000 sec., which is especially important for shooting in daytime with the prime lens aperture open. On the other hand, this was not a big problem for D700 owners.

A pleasant surprise was the use of retro styling, namely a waterproof (similar to the D610) case. It’s not customary to protect old-fashioned switches and levers from moisture, which makes it all the more pleasant to learn about such an option in Nikon DF. Anyway analog organs the controls are not completely analogue, because, for example, the system for selecting shutter speed modes is not directly connected to the shutter mechanism. The back of the camera features a massive 3.2-inch LCD display for easy viewing of images. It is strange that the Nikon DF announcement does not indicate the ability to record video (perhaps something will change with a firmware update), but there is a Live View mode.

If you look only at the specifications of the Nikon DF camera, then it is worth noting that it is more expensive than the Nikon D610 (a comparison with this camera cannot be avoided, since they are similar in characteristics), but is somewhat inferior in technical characteristics. For example, the Nikon DF only takes one SD card and can shoot at 5.5 frames per second, which is identical to the discontinued Nikon D600 but half a frame slower than the Nikon D610. The new product also does not have a built-in flash (for some this is important) or a video recording mode. And this is a rather significant omission since the days of Nikon D90 and Canon 5D Mark ll (the first two DSLRs with support for video recording), when this became a requirement. And all this for such a huge cost? Already now, for photographers working with mid-level equipment, buying a Nikon DF does not make sense. However, there will be buyers who will find features other than technical specifications in the camera.

Characteristic features of Nikon DF.

The Nikon DF is like a photographer's typewriter. Like a typewriter, it clicks, types, and responds to pressure. But underneath the retro styling and analogue controls is a modern processor and powerful focusing system. It's like hiding a modern MacBook in a typewriter. The camera is ideal for those who want a symbiosis of the pleasure of working with a film camera and the flexibility of a digital camera. The camera can shoot more than 5 frames per second, but you don't really want to chase those numbers. The model is capable of creating HDR images, but this is not written on the body. This is a device for photography, slow, thoughtful, artistic. In the end, it's hard to argue that the Nikon DF will be liked even by those who criticize it.

Appearance.

An amazing camera that the more you look at it, the more you like it. Available in black and silver-black versions, for those who want a model closer to modern devices or a completely retro camera. The emphasis on design in this camera is not accidental. Agree that it is much more pleasant to use a device that you like not only for the quality of the pictures you take, but also for its stylish appearance, which is pleasant to hold in your hands. Secondly, people around will react to a photographer with a Nikon DF in his hands completely differently than, for example, to a photographer with a D800. Therefore, the latest emphasis of manufacturers on the retro form factor is not at all accidental. This design is virtually timeless, so it's no surprise that so many users love retro devices.

Control.

One of the reasons for the popularity of the Fujifilm X series is the analog switches and controls. You clearly feel feedback with the camera from clicks of buttons and levers. With a Nikon DF camera you'll look at the LCD less often. Nikon assures you that all mechanical switches can be distributed on the surface of the body, be it a small M/A/S/P mode dial, shutter speed, ISO or exposure compensation. You can also use the switch to change the shooting speed or set the shutter timer.

Nikon DF as the successor to the Nikon F film series and replacement for the Nikon D700.

The Nikon DF camera is entirely focused on the photography process. It has most of the features of digital cameras, but doesn't advertise it at all. In some ways, it resembles the Nikon D700 thanks to its flagship sensor. However, not all photographers will be happy about switching from Nikon D700 to Nikon DF, because in some respects the new product is inferior to modern digital cameras. At the same time, many amateur photographers finally received the camera they were waiting for. Less technical innovation? No problem. No video recording? On paper, an absolute minus. But for those who care about reducing opportunities, this is an absolute plus.

Of course, Nikon DF does not show outstanding results when shooting sports events or wildlife, therefore according to these parameters it cannot be a full replacement for the Nikon D700.

Official press release.

Melville, New York (November 4, 2013). New camera The Nikon DF is a modern classic and is designed for those who want to feel connected to their camera, who enjoy photographing in unfamiliar places and who want satisfaction in the act of shooting. Today it was announced that Nikon DF is a unique device, combining the advanced characteristics of DSLR devices and the heritage of Nikon film cameras. The Nikon DF pays homage to the style of the Nikon F series 35mm film cameras, but uses technology similar to the flagship professional DSLR Nikon D4. Paired with the similarly styled AF-S NIKKOR 50mm f/1.8G lens, Nikon's latest FX camera format offers a versatile option for style-conscious creative photographers.

“Nikon cameras have played an important role in documenting world history for more than 50 years and have established themselves as trusted companions for enthusiast photographers. Nikon DF represents much more than just the legacy of a legendary camera series. The camera allows the user to truly enjoy creating amazing images.", said Masahiro Hori, director of marketing and planning at Nikon Inc. "Classic design and functional equipment according to last word technology. Nikon DF brings together the best of the past and present of full-frame photography."

A modern masterpiece with a classic design that lets you feel the small switches and details, and embodies the best of Nikon's long-lasting heritage. The camera makes it easy to discern a pentaprism in the outline of the body, which is now made of durable and lightweight magnesium alloy. The top of the body houses elegant and sophisticated mechanical adjustment switches, allowing you to tactilely feel adjustments such as the click of a shutter adjustment. Additionally worth noting are classic ISO control, exposure compensation, shutter release adjustment, while modern control is also available. Intuitive layout of controls allows you to quickly adjust everything important parameters shooting.

Nikon DF was designed with an emphasis on the body details that made previous generations of Nikon cameras famous. For example, a textured leather surface for a comfortable grip with a built-in shutter button. The design also recalls the compact nature of previous generation cameras, creating the smallest and lightest FX format camera in the Nikon family.

As for technical characteristics, the Nikon DF camera received 16.2 Megapixel FX CMOS sensor, inherited from the professional flagship camera Nikon D4. The large sensor (36 x 23.9 mm) allows you to create truly high-quality images in high resolution and difficult lighting conditions. Whether it's landscapes, wildlife or wedding photography, Nikon DF images are astonishingly bright, color accurate and wide. dynamic range. In addition, Nikon's exclusive EXPEED 3 processor allows you to obtain natural color depth in the frame with amazingly accurate reproduction of small details and nuances.

Like many professional cameras, Nikon DF works in the most different conditions lighting thanks to a wide range ISO 100 to 12,800 with stunning expandability to 204,800. Combinations low level noise in the frame and wide range allows you to use the camera to solve journalistic problems.

Nikon DF represents the culmination of many years of engineering experience and exchanges with photographers around the world. With its proven autofocus system and compatibility with a wide range of lenses, Nikon DF incorporates all the best camera features of all time.

Autofocus system . The convenience and precision of the 39-point system is proof of the advantage modern technologies. The system also has 9 cross-shaped dots, and 7 dots can operate down to f/8. Users will also be able to choose from a variety of AF modes: 9-point, 21-point, 39-point and 39-point with 3D Tracking and Auto Area AF;

2,016-pixel RGB sensor shooting and scene recognition system. This feature allows you to analyze each shooting scenario and determine correct parameters for shooting, as a result setting precise white balance parameters and selecting precise autofocus. For shooting sports, wildlife and other fast-moving subjects, the Nikon DF has a continuous shooting speed of up to 5.5 frames per second;

3.2-inch LCD display and glass pentaprism viewfinder. Users can easily see the quality of their photos on the 921,000 pixel LCD screen, which also makes Live View easy to use. Using the optical viewfinder, users will be able to enjoy 100% frame coverage. Moreover, the image in the viewfinder is also digitized.

Connection and instant data transfer. Important functional feature is the ability to additionally connect the WU-1aWirelessMobileAdapter adapter, which will allow you to download and instantly share data with users on the Internet.

Functions and modes. Users have a wide range of different shooting modes to choose from. Nikon DF also has the ability to shoot in HDR mode, which allows you to combine multiple images with different dynamic ranges into one. It is also possible to shoot in JPEG, TIFF or RAW file formats.

NIKKOR lens support . Also, the Nikon DF camera is compatible with all modern AF, AF-S, DX or AF-DNIKKOR lenses, as well as classic Ai and non-AiNIKKOR lenses.

Accessory support. Nikon DF is compatible with the Creative Lighting System (CLS), allowing you to use an i-TTL flash or flash group. It is also possible to remotely control the shutter, as well as connect an AR-3 cable.

Classic FX format prime lens NIKKOR Special Edition.

The new AF-S NIKKOR 50mm f/1.8G Special Edition lens is the result of a combination of classic NIKKOR style and modern optics. The lens design is similar to the original NIKKOR Ai lenses in color, texture and aluminum mounting ring. This optic is ideal for everyday portraits, landscapes and casual shots, thanks to its wide seven-blade aperture for natural blur and dramatic depth of field. Despite its classic design, the AF-S NIKKOR 50mm f/1.8G Special Edition allows photographers to capture images that are sharp and clear anywhere in the frame.

Price and start of sales.

Nikon DF will be available at the end of November 2013 in classic black and silver colors. Recommended retail price for the body kit will be $2,750, while for a set with an AF-S NIKKOR 50mm f/1.8G Special Edition lens the cost will be $3,000. In addition to the classic design, Nikon will offer black or brown leather cases for the CF-DC6B and CF-DC6S, with pricing to be announced.

Until now I have never written a review of a camera from a competing manufacturer, but the new Nikon announcement simply does not allow you to pass it by. The new Nikon Df fulfills the desires of many photographers for digital SLR cameras. Hand on heart, if it weren’t for the Canon optics fleet, I would gladly switch to this particular camera. Judge for yourself: full frame, durable and lightweight magnesium body, weatherproof, shutter life of 150,000 operations, modern electronic components and, of course, retro design from film cameras with a large number of additional controls. And one more important advantage is the lack of video functions, of course some may find this controversial, but for me video is an absolutely unnecessary function in a camera.

Appearance of Nikon Df

Of course, the first thing that attracts attention about this camera is the body. Unlike most modern SLR cameras, which are similar to each other, this has a very unusual design that is inherent in film cameras of the last century. Chopped shapes, an abundance of wheels, a small information screen on top, plus the ability to choose the camera in all-black or two-tone silver-black. By the way, the kit will include an AF-S 50mm f/1.8G NIKKOR lens in a special retro version, but more on that later.

The overall design of the camera entailed global changes in governing bodies. They are made as analog as possible, i.e. All main exposure parameters can be set mechanically using special wheels, and not through the menu, as is usually done now. All settings for shooting modes and parameters are moved to the top.

On the left is a dual control dial for ISO and exposure compensation. The wheels are fixed separately with different buttons and the likelihood of accidentally changing the setting is zero. However, this approach also has a disadvantage; when shooting through the viewfinder, changing the ISO without looking at the camera itself will not be so easy. Through the menu you can select the auto ISO mode, in which the sensitivity value set on the disk will be considered the minimum possible.

The hot shoe is located in the middle; traditionally, a plug is included in the kit. There is no built-in flash in the camera, which can also be considered a plus, because... There is no benefit from it when shooting.

On the right side there is a camera power ring, combined with the shutter button. The shooting mode dial has only four settings: manual, aperture priority, shutter priority and program. As you can see, there are no script modes, much less an auto mode. Below them is a small screen displaying shooting parameters, battery charge and the number of frames remaining on the flash drive. There is also a button to turn on the backlight. The most interesting thing is the shutter speed dial, again with a lock. You can either set the required value on it, or select the 1/3 step setting and set it in a more familiar way, using the wheel. The shutter speed dial is combined with a shutter mode switch - normal, high-speed shooting, delayed shutter, quiet mode and mirror pre-raise.

At the back, everything is more traditional, the main space is occupied by a large display with a diagonal of 8 cm and a resolution of 921 thousand dots. The screen is covered with reinforced glass, so there is no need to worry about scratches. Unlike video shooting, LiveView mode is present. The buttons are familiar, there is a four-position focus point selection controller. Something unusual is the exposure metering mode switch with three modes: spot, matrix and center-weighted. The viewfinder is made on the basis of a pentaprism with 100% frame coverage. Some disadvantage is the inability to change the focusing screen, which would be convenient when shooting with lenses without autofocus.

On the left side of the camera there are already standard USB, HDMI and a connector for connecting additional equipment. At the bottom there is a tripod socket and a combined battery and SD memory card compartment.

As mentioned above, the body is made of magnesium alloy and has weather protection on par with the Nikon D800.

Specifications

Despite the fact that Nikon Df is the most compact and lightweight 35mm SLR camera, it technical side on high. The camera uses a 16 megapixel full-frame sensor from Nikon D4 in conjunction with the Expeed 3 processor. On the one hand, this ensures high detail and quality of images at high ISOs, on the other hand, it allows you to maintain an acceptable RAW file size. A purely marketing ploy - the ability to raise the ISO value to 204800, naturally the image quality will be extremely low, but the highest sensitivity threshold among camera manufacturers has been reached!

The high-quality shutter mechanism allows you to take pictures at 5.5 frames per second. The declared service life is 150,000 cycles. The minimum shutter speed has been slightly reduced relative to older models, its value is 1/4000 sec. The Nikon Df is equipped with the already familiar 39-point Multi-CAM 4800 autofocus module (9 cross-type points). A 2016-pixel RGB sensor is responsible for exposure metering. Possibility of connecting additional GPS and Wi-Fi module. Full list characteristics you can find in.

As you can see, specifications at the level modern models, however, one feature that makes the Nikon Df stand out is its compatibility with non-AI NIKKOR lenses. The folding lever on the mount allows you to use even very old NIKKOR lenses without AI. An additional setting in the camera menu allows you to manually set the parameters of the lens used and perform exposure metering. By the way, the so-called “screwdriver” is also present, so the camera works without problems with lenses without a built-in focusing motor.

At the end, a few words about the price of the new product. In the US, the recommended price for the camera is $2,750. A set of Nikon DF and a special version of the AF-S 50mm f/1.8G NIKKOR lens will also go on sale. The lens is optically completely similar to the regular Nikon AF-S 50mm f/1.8G NIKKOR, the only difference is in the external design. This set will cost $3000, and the lens separately will cost $279.

This is my review of the new Nikon Df DSLR camera, made in retro style. This contains the first photographs he took, as well as a brief comparison with the Nikon D4. More images and further camera testing will be added in the coming weeks.

Brief introduction

By publishing this review, I'm breaking a little own rules. I usually wait until I'm done sufficient quantity photographs before describing your impressions of the device. But since I had the opportunity to shoot with the new product, I wanted to tell you my feelings from using the Nikon Df for the first time. In short, the camera will provide you with the quality of D4 raw images, but it does it in a completely different way. Of course, the camera brings back very good nostalgic memories. Please note that none of the images posted here are RAW processed - due to the newness of the Nikon Df, Lightroom has not yet been updated to work with it. Therefore, some of the images are the result of JPEG processing, and the rest of the majority are completely untouched JPEG images straight from the camera.

Design

Style

Retro design definitely suits this camera. There are two body options available: black and silver (I like the silver one). I want to say that with each shutter release I fall more and more in love with the camera - it makes a very pleasant “slashing” shutter sound.

Below is a short video from which you can evaluate the sound of the curtains - the Df is extremely low-noise, which is good news.

The Nikon Df is surprisingly lightweight compared to the Nikon D4. A visual comparison of them shows how this was achieved:

At the same time, the camera feels very durable, able to withstand a couple of strong drops. It's also weatherproof, so you don't have to worry if it rains.

It feels very portable in your hands, but in moderation. In my opinion, this is the ideal size camera for F-mount optics - with any slightly smaller body the sense of control over the equipment would be lost, and in the case of larger dimensions the camera would be too heavy and similar to the D4. To your subjects, the Nikon Df doesn't look as massive and intimidating as the giant D4 with its big lens staring them straight in the face. I like small cameras (like the Leica M), but only if they can be paired with equally small lenses. And in the case of the F mount, it is important that the lens and camera are of the same category.

The Df's viewfinder and display perform slightly better than the D4's. Nikon Df is ideal for travel.

Battery

The battery life proved to be quite expected. Although the battery isn't as big as the D4 and D800, I was still able to take about 1,500 photos with it using Live View.

Memory card

Another controversial element is the memory card slot. The camera only has one, and for some this may be a problem. My memory card has never failed to work; in addition, when used for personal purposes (not for work) or when traveling, the SD format turns out to be much more convenient than CompactFlash. In the camera, the memory card is inserted into a slot next to the battery.

Controls

Nikon Df gives unusual tactile sensations. So a large number of The controls are amazing. For almost everything, there is a corresponding button: shutter, aperture, ISO, focus, modes and much more. You can also set the shutter speed mode in 1/3 EV increments and change the setting with your thumb using the command dial as usual. There are many customization options. I'm still learning about the camera to figure out exactly how I want to use it, but so far I'm loving all the features it has.

In progress

So let's get to what really matters. The camera is equipped with essentially the same sensor as the Nikon D4, providing almost the same output.

High ISO

High ISO 12800 is no problem for the Df. Below is a JPEG image taken straight from the camera without any noise reduction applied:

Here's another shot at ISO 12800, taken in a different environment:

In terms of image quality, the result is definitely on par with the D4. For comparison, below are two similar shots using ISO 12800: the first was taken with D4, and the second with Df. However, I wasn't able to apply the same processing to them because due to the newness of the Nikon Df, I couldn't work with its RAW files in Lightroom.

Below is another photo taken at ISO 12800, as well as a close-up of it to show how well the detail was preserved:

Auto Focus

For some, the big problem with the Df is its unusual autofocus system. For me, its 39 focusing points are quite enough. The camera also gets a perfect 3D tracking system. Overall, I found the autofocus to be excellent, so I decided to test it with a young, playful kitten as my subject.

ISO 12800 (image taken straight from the camera):

Live View

You can evaluate the responsiveness and speed of response of the Live View system in the video presented above. It really works great, however, if you don't hold down the depth of field check button (aperture repeater), you won't see what the exposure will look like in the photo. It's a little annoying, but not critical for me.

Impressions of use

This camera is something of a new direction for Nikon. The company's specialists really play on the feelings of photographers when it comes to the photography process. The switches and buttons, the compactness and portability, the sound - everything makes you fall in love with the camera. It leaves a pleasant impression, but more about that in the conclusion.

(Click on images below to view larger)

Conclusion

I'll probably rewrite this conclusion after I've spent more time with this camera, but my first instinct is that the camera should be a hit with Nikon fans. Without a doubt, Canon fans will begin to bite their elbows to have anything like this. It seems like the last time Nikon created something similar in its lineup was when it released the D700, a small form factor DSLR with a D3 sensor that significantly reduced sales of the latter. Df is not a targeted replacement for D4, only because it is not aimed at the same audience. It lacks pro-grade features like dual card slots, 1/8000 sec shutter speed, 12fps burst speed, larger battery, video mode, more focus points, HDMI output, etc., etc. . P.

The essence of shooting with the Nikon Df is more about the act of photography and the experience that comes with it, rather than improved image quality or more features, and I think that's a good thing. I have used many cameras that truly boast amazing image quality in very compact sizes. For example, the A7 doesn't appeal to me because it doesn't look like a camera I'd want to use long time. When you make a living from photography (or just take a lot of photos), it becomes difficult to enjoy shooting for fun, but it is important. Shooting for yourself is the best way to get the wheels in your head turning. different sides to restore your creative powers. Having a camera that allows me to feel inspired and passionate while creating an image is very important to me. This is difficult to explain, so I’ll just suggest you try shooting Nikon Df yourself. Its cost is indeed very high, but the reason for this, in my opinion, is the image sensor used. Of course, you could have used a cheaper one instead, like in the D800, for example, but since I'm spoiled by the versatility and high ISO capabilities of the D4, I'm glad Nikon didn't do that.

In passing, I would like to note that when subjects see a camera that has classic look(like the Leica M, M9 or now Nikon Df), they become more involved in the shooting process, which is a huge advantage for the photographer. This is one of the reasons why I love my Leica M so much, but will probably use it a little less now that I have a Nikon Df.

Finally, I leave you with several full-resolution JPEG images without processing (in-camera, software, or otherwise).

Translation: Popil Katerina


Everyone is obsessed with retro and vintage. Everywhere you look, there is antiquity everywhere. Vintage clothing boutiques, retro mopeds, old cars, white-rimmed wheels, bicycles, film photography, sepia, moleskins and nostalgia. And manufacturers realized this quite quickly, starting market expansion on all fronts. True, not forgetting to hide under the mask of antiquity Newest technologies.

But at the same time, manufacturers focus mainly on mass product, which is not surprising. Real retrophiles and vintage enthusiasts will shoot on film and use film equipment. It’s like with cars - if a person needs a sports car, then he will look not towards the Hyundai Tiburon, but at least towards the Subaru BRZ.

But people love, know and recognize, so the market provides more and more options to choose from. And if some offer modern capabilities in the body of rangefinders, Nikon released its new product, stylized as film DSLRs of the last century. Let's look at Nikon DF.

Nikon Df video review:

What to enjoy outside

When you take the camera out of the box for the first time, especially after reading positive feedback on the Internet, then nothing but an enthusiastic cry arises. For the first hour you run around in delight, rejoicing like a child - a film maker’s dream has come true: the sincerity and warmth of mechanical levers together with the convenience of modern technology.

At the top end there is a light sensitivity control wheel and above it an exposure compensation wheel (both elements are locked with buttons, so false scrolling is excluded). Next is the ledge of the prism shaft with a standard hot shoe. There is no built-in flash. On the right side there is a shutter speed selection wheel with a lock, under it there is a lever for selecting “drive” modes: from a single frame to pre-raising the mirror.

The shutter key is framed by a power wheel, and below there is a small additional screen for displaying information. There is also a separate display backlight key and a PASM mode selection wheel.

On the bottom edge there is a tripod socket and a battery compartment with a slot for a memory card, hidden behind a mechanical I-don’t-know-what-to-call lever/key.

On the front side there is a protruding hand grip, a parameter control wheel and two function buttons. All this is under the right hand.

On the left is a bayonet release button, a manual/automatic focus switch with the usual button for selecting autofocus modes, and a bracketing button. There is also an autofocus illuminator and a connector for wired charging under a plastic plug.

The right side is empty, on the left under the plugs there are MicroUSB, MiniHDMI and a port for the remote control.

The back side is practically no different from modern SLR cameras. On the sides of the viewfinder with a diopter adjustment wheel there are buttons for viewing and deleting pictures, AF-L/AE-L, AF-ON keys and a second parameter control wheel.

To the left of the 3.2” screen with a resolution of 921 thousand dots there are buttons for calling up the menu, zooming, and information, some of which also control white balance and image quality. On the right is the exposure metering selection lever, a five-way joystick with an inscribed “OK” key and a focus point lock lever. Below are info and LiveView.

The body is made of magnesium alloy, there are no backlashes or crunches, and I doubt that there will be any. The material under the skin is located where needed, and the camera does not slip out of your hands. But this is only in theory. In fact, from a distance of not just a meter, but sometimes even 20 cm, it is unrealistic to discern whether you have plastic or metal in your hands. The impression is that the carcass will rub very quickly, and dirt will get into the seams. Particularly noteworthy are the autofocus lever, additional buttons and bracketing. If the first one is simply made of plastic made in “China, 1990s”, then the buttons are also covered with black gloss.

Holding the device in your hands is also not particularly comfortable - the lack of grip usual for large DSLRs affects it. In addition, there are no additional markings on the controls, so there is no need to talk about the intuitiveness of the controls. And it’s worth mentioning that reaching for the top end every time means wasting precious time and missing frames. In general, engineers have not heard about the efficiency of control.

If we continue to talk about design, then there is one more thing that outrages us. Nikon made a Nikkor 50 mm F1.8G lens especially for this camera. In principle, this is a regular Nikkor 50 mm F1.8G in terms of characteristics, only with a silver rim. So, why is there no aperture control in a retro camera using a ring on the lens?

And, for that matter, the similarity with the famous F line is only in the general concept.

What's under the hood?

Hidden inside the device is a 16 MP full-frame sensor, similar to that found in the Nikon D4. The Expeed 3 processor is responsible for the performance. This combination is enough to achieve high speed. Even when shooting RAW or TIFF at 5.5 fps, the camera doesn’t think twice and processes the series quickly, not to mention navigating through the menu. By the way, it’s ordinary here, Nikon’s, but I thought it would be at least a little retro. It's not meant to be.

But it is worth saying that sometimes, when flipping through large photographs or deleting material, the camera manages to think for a split second - just enough for the eye to catch. It's not critical, but it does get annoying from time to time. And this despite the fact that there was a quick card in the camera (its review). With slower cards, I think the results will be much worse.

Autofocus

But with the focusing system it’s a failure. How can you put a matrix and percent from a top-end D4 into a carcass, and an autofocus module from a D7000? No, the device focuses quickly and well, without false captures or passes, but there is one “but” here. Correct operation is guaranteed provided the subject is in the center of the frame. I'll explain why. The D7000 is a cropped DSLR, and the autofocus points are located evenly across the frame. In a Full Frame camera, this same number of points, while maintaining an identical placement, does not cover the edges of the frame, so sometimes you have to focus on the edge of the frame, lock the sharpness and move the body. Although this is not a significant problem, many are already aimed only at the central point.

Photographic Opportunities

The first thing I want to talk about is the range of photosensitivity. Here it is from 100 to 12800, but expands by four steps. Up to values ​​of 12800 you can use it absolutely calmly, but starting from 6400 - switch to RAW - to be on the safe side.

Noise will appear at high values, but you can correct it in the editor and print pictures in A4 format without problems. But amplification by two and three steps - rather, for the web - the picture turns into an unreadable mess. Below - 100% crop from JPEG with normal level noise reduction.

When printing in A4 format, it is impossible to see the difference up to 3200 ISO. Detail remains on high level, and artifacts or noise are not noticeable at all. At 6400 you can already see a slight drop in sharpness in small details, but at arm's length everything is cool. 12800 and 25600 are working values ​​for printing after a short development of the RAW file. By hanging a photo on the wall, you will completely protect yourself from spectators spitting. But above 51200 it’s worth a lot more shamanism, but it’s quite possible to achieve acceptable quality and get a beautiful print. 102400 and 204800 are already extreme sizes. It costs no more than A5 to print, and only after working on a digital negative. And even better - 10x15 for a family album.

The dynamic range is enough for most situations, but if you want more, you should shoot with manual exposure bracketing or turn on HDR. On automatic modes There is no point in hoping - there are simply none here. As well as the ability to set the shutter speed to 1\8000 s. Sadness.

A small nuance (or surprise) was a feature that I still couldn’t figure out after a week of testing.

For example, set mode A, ISO 640, aperture F3.5, exposure compensation 0, WB Auto. We shoot at night, in low light conditions. We point the lens, press the shutter and get a photograph at 1/100 s, more or less conveying the atmosphere of a night street. Having looked at the result, we bring the viewfinder to our eye and take another photo. True, this time the automation determines that a shutter speed of 1\160 s is needed and gives us a dark picture. Yes, you can fix all this at the fasting stage, but, damn it, why is that?


Fine

  • unusual design in retro style;
  • full-size matrix, the same as in D4;
  • high speed of the device when shooting;
  • 100% coverage of the viewfinder frame field.

Badly

  • unintuitive settings management;
  • uncomfortable grip and general level of ergonomics;
  • erroneous exposure metering;
  • autofocus module from D7000;
  • low continuous shooting speed - only 5.5 fps;
  • small additional screen;
  • lack of video recording;
  • “plastic” type of case;
  • no built-in flash.

Which glass to take

Out of the box, the camera is equipped with a Nikkor 50 mm 1.8G, a classic fifty-kopeck piece for film devices. It is enough for all situations you can think of - from portraits and genres to architecture and landscapes. Universal glass, in a word.

Nikkor AF-S 85mm F1.8G will be good choice for those who are sick with portraits. It is compact, perfectly blurs the background, and provides a flexible and beautiful pattern. But its cost is about 500 bucks.

Nikkor AF-S 28mm F1.8G is the same glass that is suitable for shooting architecture or landscapes. Wide angle, beautiful pattern, low level of distortion for $700 is a good choice.

The Nikkor 14-24mm F2.8 is one of the best wide-angle lenses ever made. . Considering the $2,000 price tag, it's worth thinking twice about whether you need it.

Nikkor AF-S 24-70mm F2.8G is a standard fast lens for every day. Sharp, fast, beautiful, heavy, it will allow you to shoot all kinds of scenes, getting good results. It costs 1600 bucks. .

Nikkor AF-S 70-200mm F2.8G VR II is a light telezoom for reporters. Built-in stub, minimum defects, price 2100 conventional units. Cool, in a word. .

The new Nikon Df is a 16.2 megapixel full-frame SLR camera that is designed to combine the qualities of older Nikon cameras with the latest technologies of other digital SLR cameras in the Nikon D line. The camera comes complete with a special version of the AF-S Nikkor 50mm f1.8G lens, which has Same optical performance as a standard 50mm f/1.8G lens. The case is offered in black or silver, the recommended price is RUB 119,990. with 50mm f/1.8G lens (available only as a kit), camera release without lens in this moment not planned, although this may vary by country. The new Df is available for sale from November 28, 2013.

PropertiesNikon DF

Nikon Df is stylized as a classic film reflex camera Designed to be inspired by the nostalgia of the Nikon FM-2, the Nikon features manual controls, including a larger photo mode control panel, and a small mode switch located at the top right that is normally locked and must be pulled up to unlock. This camera was created to give the feeling of a real camera, a camera for real photographers that brings joy to the photographic process, which is not affected by electronic controls. As Nikon says, the Nikon Df is designed for “True Photography”.

It is also possible to maximize the capabilities of existing non-Ai lenses, and can also work with many Ai lenses made since 1959, with which the camera is made compatible by darkening the lens aperture in the Ai lens metering. This is achieved thanks to a new retractable mechanical lens mount that is positioned around the mount, and to take advantage of manual focus lenses there is a new manual focus mode that can disable AF points. There are only 3 Ai lenses that are not compatible with this camera.

The camera features an electronic gyroscope, as well as updated aspect ratios of 16:9 and 1:1, with the latter available in preview mode. The camera body has a vertical Nikon logo, which is stylized as previous versions of Nikon film DSLRs. In addition, it is the smallest and lightest camera in the FX series (a series of full-frame cameras), weighing only 710g without battery, or 765g with battery and memory card.

The camera body is made of magnesium alloy, which is sealed against weather conditions to the same standard as the Nikon D800/D800E (dripproof, dustproof), and is offered in two colors: black with silver or all-black. The estimated number of shutter cycles is 150,000 cycles, which is the same estimated number as the Nikon D600/D610.

Main characteristics

  • 3.2-inch screen, 921k dots tempered glass screen
  • ISO100-12800, increases to 50-204800
  • Exposure compensation, ISO control dial, shooting mode dial
  • 5.5fps continuous shooting, 150,000 cycles, 30sec - 1/4000 shutter speed
  • Silent shutter mode (according to Nikon, the shutter sound is excellent)
  • 39 focus points, 9 cross, -1EV, f/8 compatible
  • 3 image processing options
  • PASM control dial (top, right)
  • Shutter speed regulator, step-by-step setup 1/3 allows you to adjust the shutter speed using the adjustment dial on the rear panel
  • Water and dust protection at the same level as D800/D800E
  • 1400 shots per EN-EL14a battery charge (single shot mode)
  • Magnesium alloy is used for the top of the case, back and bottom
  • Pentaprism viewfinder with 100% coverage, same as D4/D800
  • HDMI output support
  • Compatible with WU-1a ( wireless network), WR-1, WR-R10 (radio control)

Operating Nikon DF

The appearance of this digital camera suggests that it was inspired by the retro style of Nikon cameras, from the metal control dials, switches and control buttons, to the shutter release and the central screw hole for connecting the shutter release cable in manual mode, which was popular on film cameras. DSLR cameras. Nikon has designed the Df to be as compact as possible, while still featuring a generously sized rubberized grip on the back with a rounded shape that allows for excellent thumb control of the camera. The control wheels on the front and back are well positioned so that the index finger and thumb can easily reach them, making long-term use of the camera very comfortable. The front control wheel is positioned vertically, which differs from the usual location of this switch on other Nikon DSLRs, and this should not in any way affect the ease of use.

The optical pentaprism viewfinder provides 100% coverage, the same as the Nikon D4 and D800/D800E, and there is also a round eyepiece with diopter correction.

The rear panel has the standard Nikon set of buttons that you will find on other Nikon DSLRs such as the D610 and D800 and others, in addition to this there is also an autofocus button found on the D800/E and D4 models, helping users who wanted It would be better to adjust the focus more accurately, or use manual focus.

While you can adjust shutter speed and exposure compensation using the top-mounted control dial, there is a traditional rear control wheel as well as a front control wheel, so those who have previously used any other Nikon digital camera will not be able to control this camera will be familiar.

The Nikon Df Camera Menu is the standard Nikon menu found on other Nikon DSLR cameras, with options clearly organized and a traditional MyMenu tab where you can place your most commonly used options for quick and easy access to your favorite settings. There's also a set of Ai lens support settings that let you tell the camera that you're using a non-CPU lens like an older Nikon lens. Picture control buttons allow you to adjust clarity, contrast, brightness, saturation and color.

The bottom of the camera has a battery latch and a memory card compartment, although the camera only has one SD card slot, unlike the D600/D610 which have 2 SD card slots, and some will be disappointed that There is no access to the memory card from the side. The camera's battery life is 1,400 shots thanks to improved electronic controls; this unit uses the same battery as the Nikon D5300.

Speed

We took several series of shots to test the camera's performance, time from start to first shot, time between shots, focusing speed, etc. To ensure the accuracy and correctness of the results, we took the arithmetic average from several series, which makes it easy to compare the data obtained with the performance of other cameras.

Nikon Df
Shutter speed <0.05
Wide Angle Focus/Shutter Speed 0.15
Time from switching on to first photo 0.45
Time between shots without flash 0.5
Continuous shooting -JPEG(pictures before stopping) 5.5 fps(100 pictures)
Continuous shooting- RAW 5.5 frames per second(27 pictures)

The camera's focusing and shutter speed was simply excellent, and the time between shots was also very good. In continuous shooting, the camera takes 100 pictures in JPEG format at a speed of 5.5 frames per second, or 27 pictures in raw format, before stopping.

Shooting testing

The camera performed well, with pleasant skin tones, correct color gamut and low noise in low light. The 50mm f/1.8G lens focused reliably even in low light, whether using the optical viewfinder or in preview mode.

Lens

The camera produces high-definition images with good exposure and excellent color rendition. The included 50mm f/1.8 G lens provides excellent clarity and has shown remarkable flare resistance, even without the included lens hood. This camera accepts many lenses from both Nikon and other manufacturers, and prime lenses perform exceptionally well. Focus is confident and fast.

Noise at different ISOs

The camera showed low noise levels at ISO50, which remained at the same level up to ISO1600 and ISO3200. Noise reduction is quite low (at default settings) compared to other DSLR cameras, meaning fidelity remains high even when photographing at sensitivities above ISO6400 and ISO12800. Detail drops off somewhat at ISO25600, and noise gets quite strong at ISO51200. Photos taken at ISO102400 still have the right to life, although we would recommend avoiding working at ISO204800. At high ISOs, we set the noise reduction settings to 'Medium', with the existing options being 'High', 'Medium', 'Low' and 'Off'. Dynamic range is reduced when shooting at Low Noise Reduction 1, which is equivalent to ISO50.

White balance

Auto White Balance (AWB) produces warm colors under artificial incandescent lighting, and the results are even better if you select the appropriate lighting settings. AWB under fluorescent lighting gives the image a slightly bluish tint, and if you select this type of lighting in the settings, you get a slight red tone. So, for best results, we'd recommend using a custom white balance setting and adjusting it as needed, or you can take photos in raw format and adjust later.

Dynamic range is good, and with the D-Lighting option it expands when shooting JPEG images.

Conclusions on the Nikon Df camera

For those who will be using this camera in low light, such as at weddings, music festivals, concerts or night photography, the Nikon Df will provide excellent noise reduction thanks to the 16.2 megapixel sensor taken from the Nikon D4, although this camera is significantly cheaper . Plus, for those who like direct access to control shutter speed, ISO, and exposure compensation, this camera will give you the feel of a real camera, without the overly digital (and often overly complex) features of most modern DSLRs. However, for those who would like to shoot video, or are more limited in budget, the Nikon D610 is more suitable, since the Nikon Df does not have a video mode, despite the fact that the D610 is also 40,000 rubles cheaper. We'll be doing a more detailed review of the Nikon Df soon when the production version of this camera goes on sale.

Pros of Nikon Df

  • Excellent noise reduction
  • Excellent battery life
  • Exceptional image quality
  • 2 years warranty
  • Complete instructions on 375 pages
  • Wide, bright optical viewfinder
  • Support for older Nikon lenses
  • Manual control

Cons of Nikon Df

  • No video mode
  • The body material at the gripping point is plastic, not rubber.
  • Bottom memory card slot / just one slot
  • High price
  • No flash
Loading...Loading...